Subject Source: Art & Architecture Thesaurus
Found in 6 Collections and/or Records:
Overview This collection contains Mary C. Walker’s papers acquired throughout her time working at Peabody and years thereafter. The collection consists of personal correspondence, working documents, programs, newspaper clippings of music events, photographs, and personal items.
Collection — Multiple Containers
Overview Anne Wiggins Brown was a soprano who is best known for creating the role of Bess in George Gershwin's folk opera Porgy and Bess and starring in its initial stage run in 1935. The Peabody Institute Anne Brown collection contains press clippings about Brown, photographs, an autographed 78-rpm album jacket of Porgy and Bess highlights, and a videotape of highlights from her visit to the Peabody Institute in 1998 to receive the...
Overview Johns Hopkins Homewood Photography is a full-service, on-campus resource for professional photography and photographic services, which provides editorial and news photography, portraits, and research photography for Johns Hopkins University clients on the Homewood campus and beyond. The Peabody Institute Homewood Photography collection contains born-digital photographs taken at or for the Peabody Institute from 2004 to 2015.
Overview The Peabody Institute photograph collection contains photographic prints, negatives, slides, contact sheets, and postcards related to the Peabody Institute and associated individuals, events, and places. Images date from the dedication of the Institute in 1866 to 2019, with the bulk of the collection created between approximately 1960 and 2000.
Overview Sidney Clopton Lanier (1842-1881) was an American musician, poet and author. The collection spans the years 1838 to 1998, with the bulk dating from 1838 to 1972. The material consists of correspondence, prose, poetry, lecture and music manuscripts, photographs, memorial information, and newspaper clippings.
Overview Sounds and Stories began in 2002 as an oral-history project. A Peabody Conservatory musicology seminar of 18 students interviewed dozens of participants in the music of Baltimore's black community to record their memories and to document their world and their legacy. The collection was assembled primarily from 1998 to 2004 and contains oral histories, photographs, and supporting research about African-American musical culture, especially in Baltimore from approximately 1930 to 1960.