This collection contains Mary C. Walker’s papers acquired throughout her time working at Peabody and years thereafter. The collection consists of personal correspondence, working documents, programs, newspaper clippings of music events, photographs, and personal items.

Maurice Bessman is an emeritus professor of biochemistry and enzymology in the Department of Biology at Johns Hopkins University. This collection consists of workbooks, lecture notes, slides, transparencies, research notes, manuscripts, exams, conference papers and journal articles, photographs, and correspondence. These materials span 1956 to 2007.

May Garrettson Evans was a writer for The Baltimore Sun who founded the Peabody Preparatory Department in 1898 and served as its superintendent until 1930. Her collection includes personal scrapbooks and photographs of Evans and her family, including items from her time at the Peabody Preparatory Department.

This collection consists of oral history interviews and printed materials collected primarily in the 1990s by Michal Makarovich, who researched the evolution of gay bars in Baltimore, Maryland.

Mihály Virizlay (1931-2008) was a Hungarian-born cellist who had an international career as a concerto and recital soloist, was principal cello of the Baltimore Symphony Orchestra for 40 years, and taught at the Peabody Institute. The Mihály Virizlay papers contain published and manuscript musical scores, chiefly for cello, including Virizlay’s own compositions and arrangements. The collection also includes recordings, concert programs, newspaper clippings, and correspondence.

This collection contains ninety photographs, most portraits, of North African and Middle Eastern people photographed between 1881 and 1910. Men, women, and children are represented, including from Bedouin and Kabyle ethnic groups.

The Office of Design and Publications was part of the Office of Communications at Johns Hopkins University, which is tasked with documenting and representing the university, its students, and its programs in photographic and textual mediums. This collection consists of photographic slides, prints, and negatives of various features of the Johns Hopkins University campuses (including buildings, labs, sports, and classrooms) and students from approximately 1967-1999.

The records of the Office of Public Information/News and Information range in date from 1945 to 2005 and relate to the office's coordination and publicity of university activities, particularly special events. Materials include subject files of people, places, and events associated with Johns Hopkins University, press releases, photographs, newsletters and newspapers including copies of the Johns Hopkins Gazette, and faculty files.

The Office of Special Events is responsible for the planning, coordinating and publicizing of most University-sponsored events, as well as events geared toward public relations and community outreach. The records of the Office of Special Events date from 1947 to 2002. The records consist of correspondence and planning materials, as well as publicity information for the sponsored or coordinated events.

The Oratorio Society of Baltimore was a musical ensemble from approximately 1882 to 1918. Its music directors and performers included many members of the Peabody Conservatory faculty, including Conservatory Directors Asger Hamerik and Harold Randolph. The Oratorio Society of Baltimore programs and other material, 1883-1913, contains an incomplete run of the society's concert programs, the 1884 president's report, an 1896 large-format photograph of the ensemble, and other ephemera.

Otto Ortmann was the director of Peabody Conservatory of Music from 1928 to 1941 and founder of the conservatory's department of research, where he conducted studies on the education, psychology, and physiology of music. His papers include scores of original compositions, writings on music research, research notes, administrative files, concert programs, photographs, and teaching materials.

This collection contains 54 furniture design drawings and photographs with various notations from furniture maker P. Hanson Hiss Manufacturing, an interior design firm headquartered in downtown Baltimore with addresses in Washington, DC and New York. This collection dates approximately to the 1880s.

Paul Vacek was a violinist, pianist, and composer (using the pen name Paul Vazkén) who studied at the Peabody Conservatory of Music from 1946 to 1949. His papers contain manuscript scores of his compositions and arrangements, drafts and fragments of manuscript scores, and personal papers.

Johns Hopkins Homewood Photography is a full-service, on-campus resource for professional photography and photographic services, which provides editorial and news photography, portraits, and research photography for Johns Hopkins University clients on the Homewood campus and beyond. The Peabody Institute Homewood Photography collection contains born-digital photographs taken at or for the Peabody Institute from 2004 to 2015.

The Peabody Institute photograph collection contains photographic prints, negatives, slides, contact sheets, and postcards related to the Peabody Institute and associated individuals, events, and places. Images date from the dedication of the Institute in 1866 to 2019, with the bulk of the collection created between approximately 1960 and 2000.

VIBES is a monthly concert series run by students of the Peabody Computer Music Department. This collection contains recorded performances, photographs, programs, and posters associated with VIBES concerts during the organization's first two years of existence, 2018-2020.

Soprano Phyllis Bryn-Julson taught at the Peabody Institute from 1984 to 2017 and is known for her performances and recordings of 20th-century vocal music. The Phyllis Bryn-Julson papers contain programs, photographs, and other publicity materials from her singing career, correspondence with composers and other musicians, and scores of vocal music with Bryn-Julson's performance markings.

This collection contains 17 black-and-white photographs depicting people experimenting with gender expression and cross-dressing, circa 1900-1960. The creator(s) and subjects are largely unknown.

The collection consists of the personal papers of Dr. Barnes covering his work in infrared spectrocopy, infrared physics, and the electron microscope. The collection spans the 1920s through the 1980s.

This collection consists of correspondence, photographs, and financial records dated between 1909 and 1917 relating to Ralph W. E. Beckett's family and service during World War I.