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scores (documents for music)

 Subject
Subject Source: Art & Architecture Thesaurus
Scope Note: Original and entire drafts or transcripts of musical compositions or arrangements. Typically having the parts of all the different instruments or voices written on staffs one above another, so that they can be read at a glance.

Found in 61 Collections and/or Records:

Paul M. Stouffer papers

 Collection
Identifier: PIMS-0108
Overview This collection contains scores and recordings of music by Paul M. Stouffer.

Paul Vazkén papers

 Collection
Identifier: PIMS-0043
Overview Paul Vacek was a violinist, pianist, and composer (using the pen name Paul Vazkén) who studied at the Peabody Conservatory of Music from 1946 to 1949. His papers contain manuscript scores of his compositions and arrangements, drafts and fragments of manuscript scores, and personal papers.

Peabody Institute Robert Hall Lewis collection

 Collection
Identifier: PIMS-0115
Overview Robert Hall Lewis was a composer who taught at the Peabody Institute from 1969 to 1980. This collection contains newspaper clippings and related publicity about Lewis, correspondence between Lewis and the Peabody Institute, two photocopies of the holograph for his String Quartet No. 4, and three musical sketches for his Symphony No. 4.

Phyllis Bryn-Julson papers

 Collection
Identifier: PIMS-0100
Overview Soprano Phyllis Bryn-Julson taught at the Peabody Conservatory from 1984 to 2017 and is recognized as one of the most authoritative interpreters of vocal music of the 20th century. Her collection contains manuscript and facsimile scores by several notable composers with whom she worked, including Milton Babbitt, Pierre Boulez, Heinz Holliger, and David Del Tredici, as well as correspondence, programs, clippings, photographs, and other documents related to her career.

Randolph S. Rothschild papers, including the Chamber Music Society of Baltimore records

 Collection
Identifier: PIMS-0098
Overview This collection contains the personal papers of Randolph S. Rothschild from 1930 to 2005 and the administrative records of the Chamber Music Society (CMS) of Baltimore from its founding in 1949 to its dissolution in 1997, for which Rothschild served as an executive for most of its existence. The CMS records include administrative documents, concert programs, publicity materials, and clippings related to its programming, which regularly featured commissions and other new music. Rothschild's...

Robert Gould sheet music collection

 Collection
Identifier: MS-0681
Overview Popular sheet music, 1910-1950.

Rodney Hansen papers

 Collection
Identifier: PIMS-0063
Overview Rodney Hansen was an organist and choirmaster who graduated from the Peabody Conservatory of Music and spent much of his career in Baltimore. His personal papers include correspondence, concert programs, and clippings related to his career.

Ross Gould papers

 Collection
Identifier: PIMS-0112
Overview James Ross Gould was a film actor and songwriter who served as a first lieutenant in the United States Army. The Ross Gould papers contain manuscript and facsimile scores of songs by Gould, poems by Gould inscribed to the painter Durett Stokes, publicity photos of Gould from his Hollywood film career, and clippings.

Sergio Cervetti papers

 Collection
Identifier: PIMS-0013
Overview Sergio Cervetti left his native Uruguay in 1962 to study composition in the United States, graduating with a degree from the Peabody Conservatory in 1967 and later teaching music at the Tisch School of the Arts at New York University from 1972 to 1997. As a composer, he wrote more than 100 works drawing from electronic music, folk elements, European tradition, and minimalist aesthetics. The Sergio Cervetti papers contain scores and recordings of his works.

Series 2: Published and Manuscript Scores

 Series
Scope and Contents The Austin Conradi papers, 1913-1971, contain a variety of material created and collected by Conradi during his career. These include concert programs, school essays, newspaper clippings, and a photograph. The bulk of Series 1 consists of correspondence primarily between Conradi and his former student Elizabeth Burnham, as well as letters from Conradi to his mother. Series 2 contains manuscript and published scores, transcriptions, and orchestrations, including a transcription by Austin's older...