scores (documents for music)
Subject Source: Art & Architecture ThesaurusScope Note: Original and entire drafts or transcripts of musical compositions or arrangements. Typically having the parts of all the different instruments or voices written on staffs one above another, so that they can be read at a glance.
Found in 65 Collections and/or Records:
Overview Nicholas Maw (1935-2009) was a British composer who taught at the Peabody Institute from 1998 to 2008. The Nicholas Maw papers (approximately 1956-2009) contain manuscripts, scores, and recordings of musical compositions by Maw, including the opera Sophie's Choice. The collection also contains correspondence, programs, reviews, lecture notes, and other personal papers.
Overview Otto Ortmann was the director of Peabody Conservatory of Music from 1928 to 1941 and founder of the conservatory's department of research, where he conducted studies on the education, psychology, and physiology of music. His papers include scores of original compositions, writings on music research, research notes, administrative files, concert programs, photographs, and teaching materials.
Overview Paul Vacek was a violinist, pianist, and composer (using the pen name Paul Vazkén) who studied at the Peabody Conservatory of Music from 1946 to 1949. His papers contain manuscript scores of his compositions and arrangements, drafts and fragments of manuscript scores, and personal papers.
Overview Robert Hall Lewis was a composer who taught at the Peabody Institute from 1969 to 1980. This collection contains newspaper clippings and related publicity about Lewis, correspondence between Lewis and the Peabody Institute, two photocopies of the holograph for his String Quartet No. 4, and three musical sketches for his Symphony No. 4.
Overview Soprano Phyllis Bryn-Julson taught at the Peabody Conservatory from 1984 to 2017 and is recognized as one of the most authoritative interpreters of vocal music of the 20th century. Her collection contains manuscript and facsimile scores by several notable composers with whom she worked, including Milton Babbitt, Pierre Boulez, Heinz Holliger, and David Del Tredici, as well as correspondence, programs, clippings, photographs, and other documents related to her career.
Overview This collection contains the personal papers of Randolph S. Rothschild from 1930 to 2005 and the administrative records of the Chamber Music Society (CMS) of Baltimore from its founding in 1949 to its dissolution in 1997, for which Rothschild served as an executive for most of its existence. The CMS records include administrative documents, concert programs, publicity materials, and clippings related to its programming, which regularly featured commissions and other new music. Rothschild's...