Promotional fliers from Baltimore area theaters created from approximately 1954 to 1963. There is currently no information available on the creator.

Pictorial herald for the film "Black Gold" from filmmaker Richard Norman, about a rancher who has staked everying on his claim to the oil on his ranch, in his fight to retain his claim against a scheming banker. The flier advertises the film at the "colored theatre" and states that one of the cast members, Steve "Peg" Reynolds, would be performing a vaudeville skit that night before the show.

A flyer produced by the Black Panther Party featuring art by Douglas Emory, titled "It's All the Same." The image features three identical pigs in uniform carrying assault rifles, napalm, mace, and gas. The pigs are labeled local police, National Guard, and Marines.

A collection of material produced by the Chile solidarity movement in the U.S. following the 1973 CIA-backed military coup that replaced Salvador Allende’s Unidad Popular government with a military dictatorship led by General Augusto Pinochet. The majority of items come from the Washington, DC chapter of Non-Intervention in Chile (NICH) and the National Coordinating Center in Solidarity with Chile. Materials contain flyers, newsletters, pamphlets, and press clippings.

A collection of propaganda and campaign material issued by the Comités de Défense de la République, a right-wing Gaullist coalition that formed in reaction to the protests of May 1968 in France. Many of the items encourage people to vote for Charles de Gaulle and to save France from a Communist dictatorship. Two of the items are critical of François Mitterand of the Fédération de la Gauche Démocrate et Socialiste and his presidential hopes.

Two flyers and a broadside produced by the Conseil pour le maintien des occupations (CMDO) during the May 1968 protests in France. All three items call for a worker revolution against the existing class structure and bureaucracies, arguing that French labor unions are ineffective and out of touch. They advocate for the creation of a classless society governed by a federated series of Workers' Councils.

Pictorial herald for "Crimson Skull" and advertising actors Anita Bush and Lawrence Chenault in an all Black cast. The plot is set in the Black cit of Boley, Oklahoma, which has been by a band of outlaws led by "The Skull."

The École nationale supérieure des Beaux-Arts (National School of Fine Arts) in Paris succeeded the royal arts academies of pre-revolutionary France. The collection contains eight black-and-white photographs of the school in 1972 and ephemera concerning the creation of two new ateliers and a printing works at UP6 by the architect Jean-Paul Jungmann in 1972-74.

Elisabeth Gilman was born in New Haven, Connecticut, December 25, 1867. She was the younger daughter of Daniel Coit and Mary (Ketcham) Gilman. Her father was a college professor and the first president of The Johns Hopkins University. The papers consist of correspondence, speeches, writings, diaries, newspaper clippings, printed material, memorabilia, and photographs.

This collection contains sheet music for "You Oughta See My Baby" and "Why Did I Kiss That Girl," both editions featuring Ella Shields on the cover, as well as a playbill for a 1949 showing of the nostalgia music hall show "Thanks for the Memory," and five photographs of Ella Shields from various points in her career.

A collection of 82 printed flyers and handouts from the 1980s to 1990s advertising California funk, reggae, hip hop, and soul concerts and venues.

Broadside advertising the official world premiere of Stein and Thomson's Four Saints in Three Acts, which opened on February 8, 1934, at the Wadsworth Atheneum's Avery Memorial Theatre in Hartford, Connecticut. The opera had its private premier the previous night; the public premiere on the 8th was followed by two subsequent performances on the 9th and 10th before the show traveled to Broadway.

This collection contains correspondence, photographs, and ephemera associated with author Gertrude Stein.

Handbill advertizing the services of a Monsieur Audiger, a French bookseller active in the early 19th century.

The Johns Hopkins University collection of African American history and culture is an artificially assembled collection of printed materials, diaries, photographs, and other items created from 1800 to 1988.

The Johns Hopkins University collection of African American political activism in the United States consists of broadsides, photographs, and newspaper clippings that were primarily created around the time of the Civil Rights and Black Power movements between the 1950s and 1970s.

The Johns Hopkins University collection of white supremacist and anti-integartion materials is an artificial collection which spans from the 18th to the 21st century. The collection consists of broadsides, postcards, and other printed ephemera created by proponents of white supremacy, anti-integration, and racist ideologies.