Found in 84 Collections and/or Records:
Abram Moses was a composer and violinist who attended and taught at the Peabody Institute. The collection includes 11 manuscript and Ozalid scores of chamber music and songs by Moses written between approximately 1900 and 1950.
Charles Henry Bochau (1870-1932) was a member of the Peabody Conservatory voice faculty from 1897 to 1932, director of the conservatory's glee club, and one of the founders of the Johns Hopkins Symphony Orchestra. The collection consists of manuscript and published scores of music composed by Bochau, including vocal music, symphonic music, and chamber music.
Copies of letters and papers concerning the "Affaire Carrouges," a Surrealist controversy also called the "Affaire Pastoureau"
This collection contains copies of seven documents created in the 1950s concerning the Surrealist turmoil originating from the ‘Affaire Carrouges’. In 1951, a conflict between Surrealists Henri Pastoureau and Michel Carrouges due to a disagreement about religion resulted in the fracturing of the French Surrealist movement for three months. There is representation from both sides of the conflict in this collection.
The collection consists of correspondence between Daniel Coit Gilman, Basil Gildersleeve, Nicholas Murray Butler and others regarding obtaining a copy of the Didache manuscript.
Dawn Culbertson was an eclectic musician and composer based in Baltimore who experimented with the lute and recorder. Her papers contain original manuscript compositions, personal papers primarily from her student years, and recordings of her radio show, Exploring Early Music.
This collection consists of an unpublished Russian novella typescript written by an anonymous author during approximately the 1960s. The typescript describes a fictional prisoner's experience of a Gulag and the NKVD.
Douglas Southall Freeman (1886 – 1953) was an American historian, biographer, newspaper editor, and author best known for his multi-volume biographies of Robert E. Lee and George Washington. The collection spans the years 1902-1911, and consists primarily of correspondence between Freeman and his parents.
Edwin Charles Cort received his M.D. from Johns Hopkins University in 1907 and was a medical missionary in Siam (Thailand) from 1908 intil 1949. This collection consists of an essay entitled "Thirty Years of Medical Practice in Siam" from approximately 1948.
Emmanuel Wad (1862-1940) was a Danish pianist who taught at the Peabody Conservatory from 1892 to 1919. The Emmanuel Wad papers contain scores of Wad's operas and other works, an essay by Wad, and a family genealogy.