Showing Collections: 1 - 10 of 12
Musical compositions, correspondence, photographs, writings, clippings, and ephemera of pianist Arthur Friedheim and members of the Friedheim family.
The Austin Conradi papers contain concert programs, school essays, newspaper clippings, correspondence, scores, and a photograph relating to the life and career of pianist Austin Conradi.
Dina Koston (1929-2009) was a pianist and composer who co-founded the Theater Chamber Players in Washington, D.C. The Dina Koston papers include manuscript scores of her compositions, documents related to her performances, and audio recordings.
The Glenroy C. Stein papers contain scores and method books written by Stein and various other composers. Also included are personal papers which include newspaper clippings, correspondence, posters, and concert programs.
Hugh Raymond Newsom (1891-1978) was an organist and composer who lived in Baltimore. The collection includes manuscript scores of music composed by Hugh Newsom or by his wife, harpist Marjorie Brunton Newsom; documents related to Hugh Newsom's career; and reel-to-reel recordings of his music.
Joseph Schillinger was a theorist and composer famous for developing the Schillinger System, a method of deconstructing music using geometric phase relationships. The collection contains correspondence, recordings, scrapbooks, photographs, artwork, manuscript scores, and other documents related to his professional and personal life.
Otto Ortmann was the director of Peabody Conservatory of Music from 1928 to 1941 and founder of the conservatory's department of research, where he conducted studies on the education, psychology, and physiology of music. His papers include scores of original compositions, writings on music research, research notes, administrative files, concert programs, photographs, and teaching materials.
Paul Vacek was a violinist, pianist, and composer (using the pen name Paul Vazkén) who studied at the Peabody Conservatory of Music from 1946 to 1949. His papers contain manuscript scores of his compositions and arrangements, drafts and fragments of manuscript scores, and personal papers.
Soprano Phyllis Bryn-Julson taught at the Peabody Institute from 1984 to 2017 and is known for her performances and recordings of 20th-century vocal music. The Phyllis Bryn-Julson papers contain programs, photographs, and other publicity materials from her singing career, correspondence with composers and other musicians, and scores of vocal music with Bryn-Julson's performance markings.