Abstract

Brick Fleagle and Luther Henderson were jazz musicians and arrangers who were business partners and close friends. The Brick Fleagle and Luther Henderson papers and collection of jazz recordings contain manuscript and published scores of Fleagle's and Henderson's compositions and arrangements, personal papers of Brick Fleagle, photographs, and recordings.

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Enrico Caruso (1873-1921) was one of the most popular operatic tenors of his era. After beginning his career in his native Italy, Caruso immigrated to the United States and became a star at the Metropolitan Opera. His papers include manuscript and published scores belonging to Caruso, photographs, correspondence, scrapbooks and clippings about his career, caricatures and other artwork, recordings, and ephemera.

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Frank Willis was a classical pianist and composer who attended Peabody Conservatory and was a composer and conductor for the West Virginia Symphony Orchestra. His papers include manuscript and published scores and some contextual material.

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Franz Carl Bornschein (1879-1948) was a composer of more than 200 works, primarily vocal music, and a professor of violin and composition at the Peabody Conservatory. His papers include scrapbooks, clippings, correspondence, photographs, personal papers, manuscript and printed scores, and the personal papers of his wife, Hazel Knox Bornschein.

Abstract

Hugh Raymond Newsom (1891-1978) was an organist and composer who lived in Baltimore. The collection includes manuscript scores of music composed by Hugh Newsom or by his wife, harpist Marjorie Brunton Newsom; documents related to Hugh Newsom's career; and reel-to-reel recordings of his music.

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Jean Eichelberger Ivey (1923-2010) was a composer, pianist, electronic musician, professor, and the founder of the Peabody Conservatory Electronic Music Studio, which she directed from 1969 until her retirement from Peabody in 1997. The Jean Eichelberger Ivey papers contain scores and recordings of Ivey's musical works, writings and notes by Ivey, personal and professional correspondence, programs and clippings, photographs, and other personal and professional papers.

Abstract

John Charles Thomas was an internationally known baritone who attended Peabody Institute from 1909 to 1912. His papers include scores, personal and business papers, concert programs, clippings, correspondence, ephemera, photographs, and recordings.

Abstract The most sought-after soprano of the 1920s and 1930s, Rosa Ponselle (née Rosa Ponzillo, 1897–1981) began her musical career in a vaudeville act with her sister Carmela Ponselle. Upon hearing Rosa Ponselle for the first time, Enrico Caruso took her under his wing and they appeared on the Metropolitan Opera stage together in La Forza del Destino and La Juive. She would go on to sing the title role in the Metropolitan's revival...

Abstract Yvette Matthews (1948-2020) was a mezzo-soprano from Baltimore. She studied at the Peabody Preparatory and sang with ensembles such as the Baltimore Opera Company, the Baltimore Symphony Opera, and the Baltimore Choral Arts Society. In the 1980s and 1990s, Matthews sang with the Houston Grand Opera Company on tours throughout North America, Europe, and Japan. The Yvette Matthews papers, approximately 1965-2021, contain professional files consisting of programs, clippings, publicity...