Showing Collections: 1 - 7 of 7
Joseph Schillinger was a theorist and composer famous for developing the Schillinger System, a method of deconstructing music using geometric phase relationships. The collection contains correspondence, recordings, scrapbooks, photographs, artwork, manuscript scores, and other documents related to his professional and personal life.
Maurice Bessman is an emeritus professor of biochemistry and enzymology in the Department of Biology at Johns Hopkins University. This collection consists of workbooks, lecture notes, slides, transparencies, research notes, manuscripts, exams, conference papers and journal articles, photographs, and correspondence. These materials span 1956 to 2007.
The records of the Office of Public Information/News and Information range in date from 1945 to 2005 and relate to the office's coordination and publicity of university activities, particularly special events. Materials include subject files of people, places, and events associated with Johns Hopkins University, press releases, photographs, newsletters and newspapers including copies of the Johns Hopkins Gazette, and faculty files.
Otto Ortmann was the director of Peabody Conservatory of Music from 1928 to 1941 and founder of the conservatory's department of research, where he conducted studies on the education, psychology, and physiology of music. His papers include scores of original compositions, writings on music research, research notes, administrative files, concert programs, photographs, and teaching materials.
The collection contains Raymond Cunningham's history notes and manuscripts pertaining to the biography of Herbert Baxter Adams. This collection has not been processed.
Sounds and Stories began in 2002 as an oral-history project. A Peabody Conservatory musicology seminar of 18 students interviewed dozens of participants in the music of Baltimore's black community to record their memories and to document their world and their legacy. The collection was assembled primarily from 1998 to 2004 and contains oral histories, photographs, and supporting research about African-American musical culture, especially in Baltimore from approximately 1930 to 1960.