Showing Collections: 1 - 19 of 19
Adele Meade papers
Adele Meade was a teacher and violinist in the Baltimore area. Her papers include photographs, a scrapbook, and personal papers primarily relating to her teaching career.
Arthur Friedheim papers
Musical compositions, correspondence, photographs, writings, clippings, and ephemera of pianist Arthur Friedheim and members of the Friedheim family.
Ellis Larkins papers
Ellis Larkins was a jazz pianist from Baltimore who studied at the Peabody Conservatory and had an active professional career from the 1940s to the 1990s. His papers include photocopied scrapbooks about his career as well as original photographs, clippings, concert programs, correspondence, and recordings.
Enrico Caruso papers
Enrico Caruso (1873-1921) was one of the most popular operatic tenors of his era. After beginning his career in his native Italy, Caruso immigrated to the United States and became a star at the Metropolitan Opera. His papers include manuscript and published scores belonging to Caruso, photographs, correspondence, scrapbooks and clippings about his career, caricatures and other artwork, recordings, and ephemera.
Fernanda Doria papers
The Fernanda Doria papers consist of scrapbooks with clippings, concert programs, and photographs related to her career as an operatic contralto in the early twentieth century, as well as correspondence and other personal documents.
George R. Woodhead papers
The George R. Woodhead papers contain personal papers and concert programs acquired over his career as a choral conductor and professor of music at Goucher College and other musical institutions in the Baltimore area. The documents include correspondence, newspaper clippings, photographs, teaching material, and financial documents. The majority of the concert programs come from performances by local churches, Johns Hopkins University, Goucher College, and the Bach Society of Baltimore.
Hugh R. Newsom papers
Hugh Raymond Newsom (1891-1978) was an organist and composer who lived in Baltimore. The collection includes manuscript scores of music composed by Hugh Newsom or by his wife, harpist Marjorie Brunton Newsom; documents related to Hugh Newsom's career; and reel-to-reel recordings of his music.
Jean Eichelberger Ivey papers
Jean Eichelberger Ivey (1923-2010) was a composer, pianist, electronic musician, professor, and the founder of the Peabody Conservatory Electronic Music Studio, which she directed from 1969 until her retirement from Peabody in 1997. The Jean Eichelberger Ivey papers contain scores and recordings of Ivey's musical works, writings and notes by Ivey, personal and professional correspondence, programs and clippings, photographs, and other personal and professional papers.
John Charles Thomas papers
John Charles Thomas (1891-1960) was a baritone who had a lengthy career as an opera singer and recording artist. His papers include scores, personal and business papers, concert programs, clippings, correspondence, ephemera, photographs, and recordings.
Joseph Schillinger papers
Joseph Schillinger was a theorist and composer famous for developing the Schillinger System, a method of deconstructing music using geometric phase relationships. The collection contains correspondence, recordings, scrapbooks, photographs, artwork, manuscript scores, and other documents related to his professional and personal life.
Katherine Jacobson Fleisher papers
Leon Fleisher papers
Mihály Virizlay papers and cello score collection
Mihály Virizlay (1931-2008) was a Hungarian-born cellist who had an international career as a concerto and recital soloist, was principal cello of the Baltimore Symphony Orchestra for 40 years, and taught at the Peabody Institute. The Mihály Virizlay papers contain published and manuscript musical scores, chiefly for cello, including Virizlay’s own compositions and arrangements. The collection also includes recordings, concert programs, newspaper clippings, and correspondence.
Otto Ortmann papers
Otto Ortmann was the director of Peabody Conservatory of Music from 1928 to 1941 and founder of the conservatory's department of research, where he conducted studies on the education, psychology, and physiology of music. His papers include scores of original compositions, writings on music research, research notes, administrative files, concert programs, photographs, and teaching materials.
Paul Vazkén papers
Paul Vacek was a violinist, pianist, and composer (using the pen name Paul Vazkén) who studied at the Peabody Conservatory of Music from 1946 to 1949. His papers contain manuscript scores of his compositions and arrangements, drafts and fragments of manuscript scores, and personal papers.
Phyllis Bryn-Julson papers
Soprano Phyllis Bryn-Julson taught at the Peabody Institute from 1984 to 2017 and is known for her performances and recordings of 20th-century vocal music. The Phyllis Bryn-Julson papers contain programs, photographs, and other publicity materials from her singing career, correspondence with composers and other musicians, and scores of vocal music with Bryn-Julson's performance markings.
Randolph S. Rothschild papers, including the Chamber Music Society of Baltimore records
Reginald Stewart papers
Reginald Stewart was a Scottish-born conductor and pianist who served as director of the Peabody Conservatory from 1941 to 1957 and music director of the Baltimore Symphony Orchestra from 1942 to 1952. His papers include scrapbooks, correspondence, photographs, and recordings related to his career.
Women Composers Orchestra records
The Women Composers Orchestra operated in Baltimore from 1985 to 1995 with the mission to perform compositions of women composers both past and present. The collection primarily consists of the organization's administrative documents.