Showing Collections: 1 - 8 of 8
Adele Meade was a teacher and violinist in the Baltimore area. Her papers include photographs, a scrapbook, and personal papers primarily relating to her teaching career.
Ellis Larkins was a jazz pianist from Baltimore who studied at the Peabody Conservatory and had an active professional career from the 1940s to the 1990s. His papers include photocopied scrapbooks about his career as well as original photographs, clippings, concert programs, correspondence, and recordings.
Enrico Caruso (1873-1921) was one of the most popular operatic tenors of his era. After beginning his career in his native Italy, Caruso immigrated to the United States and became a star at the Metropolitan Opera. His papers include manuscript and published scores belonging to Caruso, photographs, correspondence, scrapbooks and clippings about his career, caricatures and other artwork, recordings, and ephemera.
The Fernanda Doria papers consist of scrapbooks with clippings, concert programs, and photographs related to her career as an operatic contralto in the early twentieth century, as well as correspondence and other personal documents.
Joseph Schillinger was a theorist and composer famous for developing the Schillinger System, a method of deconstructing music using geometric phase relationships. The collection contains correspondence, recordings, scrapbooks, photographs, artwork, manuscript scores, and other documents related to his professional and personal life.
Soprano Phyllis Bryn-Julson taught at the Peabody Conservatory from 1984 to 2017 and is recognized as one of the most authoritative interpreters of vocal music of the 20th century. Her collection contains manuscript and facsimile scores by several notable composers with whom she worked, including Milton Babbitt, Pierre Boulez, Heinz Holliger, and David Del Tredici, as well as correspondence, programs, clippings, photographs, and other documents related to her career.
Reginald Stewart was a Scottish-born conductor and pianist who served as direcctor of the Peabody Institute from 1941 to 1959 and music director of the Baltimore Symphony Orchestra from 1942 to 1952. His papers include scrapbooks, correspondence, photographs, and recordings related to his career.