Showing Collections: 21 - 28 of 28
Reginald Stewart was a Scottish-born conductor and pianist who served as direcctor of the Peabody Institute from 1941 to 1959 and music director of the Baltimore Symphony Orchestra from 1942 to 1952. His papers include scrapbooks, correspondence, photographs, and recordings related to his career.
Robert W. Waite was a cellist for the Saturday Night Club. His collection includes personal papers from his time spent as a member of the group.
Sidney Clopton Lanier (1842-1881) was an American musician, poet and author. The collection spans the years 1838 to 1998, with the bulk dating from 1838 to 1972. The material consists of correspondence, prose, poetry, lecture and music manuscripts, photographs, memorial information, and newspaper clippings.
The Sitwells were a literary family with a country estate at Renishaw Hall in Derbyshire, England. The collection contains letters, a notebook, photographs, newspaper clippings, and books related to the siblings Dame Edith Louisa Sitwell (1887-1964) and Osbert Sitwell (1892-1969), and their cousin by marriage, Constance Sitwell (1887-1974). The material dates from approximately 1921 to 1962.
Roseanne Traxler Klass was born in Cedar Rapids, Iowa. From 1980 to 1991 Klass founded and headed the Afghanistan Information Center at Freedom House in New York, NY.The papers document the various aid groups and human rights organizations involved in the Afghanistan war from the 1970s to the late 1990s. Support groups include the Afghanistan Relief Committee, Free Afghanistan, and Medicines san Frontieres.
William Frick was a poet, lawyer, Maryland state senator, and city court judge, and associate judge of the Court of Appeals, and was elected first judge of the Superior Court of Baltimore city in 1851. His papers date from 1833 to 1846 and include correspondence with colleagues in the fields of law and politics, publications, photographs, clippings, and invitations.
The Women Composers Orchestra operated in Baltimore from 1985 to 1995 with the mission to perform compositions of women composers both past and present. The collection primarily consists of the organization's administrative documents.