Showing Collections: 26 - 50 of 55
Leon Fleisher papers
Leslie Frick papers
Leslie Frick was a mezzo-soprano who performed in the United States and Europe from the 1920s to 1960s. Her papers include photographs, an obituary, and two scrapbooks.
Lester Dequaine collection on Rosa Ponselle
Lyric Theatre records
Marion Rosette papers
The Marion Rosette papers contain scores, working documents, personal papers, and recordings from Rosette’s career as a composer and arranger of children's music.
Mary C. Walker papers
This collection contains Mary C. Walker’s papers acquired throughout her time working at Peabody and years thereafter. The collection consists of personal correspondence, working documents, programs, newspaper clippings of music events, photographs, and personal items.
Max G. Lowenherz collection of Kennedy family photographs
May Garrettson Evans scrapbooks
May Garrettson Evans was a writer for The Baltimore Sun who founded the Peabody Preparatory Department in 1898 and served as its superintendent until 1930. Her collection includes personal scrapbooks and photographs of Evans and her family, including items from her time at the Peabody Preparatory Department.
Mihály Virizlay papers and cello score collection
Mihály Virizlay (1931-2008) was a Hungarian-born cellist who had an international career as a concerto and recital soloist, was principal cello of the Baltimore Symphony Orchestra for 40 years, and taught at the Peabody Institute. The Mihály Virizlay papers contain published and manuscript musical scores, chiefly for cello, including Virizlay’s own compositions and arrangements. The collection also includes recordings, concert programs, newspaper clippings, and correspondence.
Oratorio Society of Baltimore programs and other material
The Oratorio Society of Baltimore was a musical ensemble from approximately 1882 to 1918. Its music directors and performers included many members of the Peabody Conservatory faculty, including Conservatory Directors Asger Hamerik and Harold Randolph. The Oratorio Society of Baltimore programs and other material, 1883-1913, contains an incomplete run of the society's concert programs, the 1884 president's report, an 1896 large-format photograph of the ensemble, and other ephemera.
Otto Ortmann papers
Otto Ortmann was the director of Peabody Conservatory of Music from 1928 to 1941 and founder of the conservatory's department of research, where he conducted studies on the education, psychology, and physiology of music. His papers include scores of original compositions, writings on music research, research notes, administrative files, concert programs, photographs, and teaching materials.
Paul Vazkén papers
Paul Vacek was a violinist, pianist, and composer (using the pen name Paul Vazkén) who studied at the Peabody Conservatory of Music from 1946 to 1949. His papers contain manuscript scores of his compositions and arrangements, drafts and fragments of manuscript scores, and personal papers.
Peabody Institute Anne Brown collection
Peabody Institute Homewood Photography collection
Johns Hopkins Homewood Photography is a full-service, on-campus resource for professional photography and photographic services, which provides editorial and news photography, portraits, and research photography for Johns Hopkins University clients on the Homewood campus and beyond. The Peabody Institute Homewood Photography collection contains born-digital photographs taken at or for the Peabody Institute from 2004 to 2015.
Peabody Institute photograph collection
The Peabody Institute photograph collection contains photographic prints, negatives, slides, contact sheets, and postcards related to the Peabody Institute and associated individuals, events, and places. Images date from the dedication of the Institute in 1866 to 2019, with the bulk of the collection created between approximately 1960 and 2000.
Peabody VIBES records
VIBES is a monthly concert series run by students of the Peabody Computer Music Department. This collection contains recorded performances, photographs, programs, and posters associated with VIBES concerts during the organization's first two years of existence, 2018-2020.
Phyllis Bryn-Julson papers
Soprano Phyllis Bryn-Julson taught at the Peabody Institute from 1984 to 2017 and is known for her performances and recordings of 20th-century vocal music. The Phyllis Bryn-Julson papers contain programs, photographs, and other publicity materials from her singing career, correspondence with composers and other musicians, and scores of vocal music with Bryn-Julson's performance markings.
Randolph S. Rothschild papers, including the Chamber Music Society of Baltimore records
Records of the Cross Country folk trio
The Baltimore-area musical group Cross Country performed folk music in the 1980s and early 1990s. The collection contains the trio's administrative documents, photographs, and recordings.
Reginald Stewart papers
Reginald Stewart was a Scottish-born conductor and pianist who served as director of the Peabody Conservatory from 1941 to 1957 and music director of the Baltimore Symphony Orchestra from 1942 to 1952. His papers include scrapbooks, correspondence, photographs, and recordings related to his career.
Robert W. Waite papers
Robert W. Waite was a cellist for the Saturday Night Club. His collection includes personal papers from his time spent as a member of the group.
Robert Willoughby papers
Ross Gould papers
James Ross Gould was a film actor and songwriter who served as a first lieutenant in the United States Army. The Ross Gould papers contain manuscript and facsimile scores of songs by Gould, poems by Gould inscribed to the painter Durett Stokes, publicity photos of Gould from his Hollywood film career, and clippings.
Roy McCoy photographs
Roy McCoy (1920-2001) was a jazz trumpeter from Baltimore who performed with such ensembles as the house band of the Royal Theater and the Lionel Hampton Band in the late 1930s and 1940s. McCoy took many pictures of his friends and associates in the Baltimore musical scene. The McCoy photographs collection contains prints, negatives, and a photo album of musicians and associates, primarily from approximately 1935 to 1965.
Sounds and Stories collection
Sounds and Stories began in 2002 as an oral-history project. A Peabody Conservatory musicology seminar of 18 students interviewed dozens of participants in the music of Baltimore's black community to record their memories and to document their world and their legacy. The collection was assembled primarily from 1998 to 2004 and contains oral histories, photographs, and supporting research about African-American musical culture, especially in Baltimore from approximately 1930 to 1960.