Showing Collections: 11 - 19 of 19
Mihály Virizlay (1931-2008) was a Hungarian-born cellist who had a successful international career as a concerto and recital soloist, was principal cello of the Baltimore Symphony Orchestra for 40 years, and taught at the Peabody Institute. The Mihály Virizlay papers contain published and manuscript musical scores, chiefly for cello, including Virizlay’s own compositions and arrangements. The collection also includes recordings, concert programs, newspaper clippings, and correspondence.
Otto Ortmann was the director of Peabody Conservatory of Music from 1928 to 1941 and founder of the conservatory's department of research, where he conducted studies on the education, psychology, and physiology of music. His papers include scores of original compositions, writings on music research, research notes, administrative files, concert programs, photographs, and teaching materials.
Paul Vacek was a violinist, pianist, and composer (using the pen name Paul Vazkén) who studied at the Peabody Conservatory of Music from 1946 to 1949. His papers contain manuscript scores of his compositions and arrangements, drafts and fragments of manuscript scores, and personal papers.
Soprano Phyllis Bryn-Julson taught at the Peabody Conservatory from 1984 to 2017 and is recognized as one of the most authoritative interpreters of vocal music of the 20th century. Her collection contains manuscript and facsimile scores by several notable composers with whom she worked, including Milton Babbitt, Pierre Boulez, Heinz Holliger, and David Del Tredici, as well as correspondence, programs, clippings, photographs, and other documents related to her career.
Reginald Stewart was a Scottish-born conductor and pianist who served as direcctor of the Peabody Institute from 1941 to 1959 and music director of the Baltimore Symphony Orchestra from 1942 to 1952. His papers include scrapbooks, correspondence, photographs, and recordings related to his career.
The Theater Chamber Players, founded by Peabody Institute faculty members Dina Koston and Leon Fleisher, were a chamber music ensemble that featured 20th-century music and was based primarily in Washington, D.C., from 1968 to 2003. The TCP records include administrative and business documents, correspondence, working files, concert programs, publicity material, photographs, recordings, scores, and reference material.
The Women Composers Orchestra operated in Baltimore from 1985 to 1995 with the mission to perform compositions of women composers both past and present. The collection primarily consists of the organization's administrative documents.