Showing Collections: 121 - 130 of 185
The manuscripts in this artificial collection are largely the records of Philadelphia merchants dealing with Baltimoreans in the late eighteenth and early nineteenth centuries.
Mihály Virizlay (1931-2008) was a Hungarian-born cellist who had an international career as a concerto and recital soloist, was principal cello of the Baltimore Symphony Orchestra for 40 years, and taught at the Peabody Institute. The Mihály Virizlay papers contain published and manuscript musical scores, chiefly for cello, including Virizlay’s own compositions and arrangements. The collection also includes recordings, concert programs, newspaper clippings, and correspondence.
Morris Moshe Cotel (1943-2008) was a composer and pianist who was a member of the Peabody Conservatory faculty from 1972 to 2000. The Morris Moshe Cotel papers consist of letters from Cotel to his first wife, Karen Schwartzman, while Cotel was living in Rome and Israel in 1967 and 1968, as well as manuscript facsimile scores of two of his early compositions.
Otto Ortmann was the director of Peabody Conservatory of Music from 1928 to 1941 and founder of the conservatory's department of research, where he conducted studies on the education, psychology, and physiology of music. His papers include scores of original compositions, writings on music research, research notes, administrative files, concert programs, photographs, and teaching materials.
Owen Martin Phillips (1930-2010) was a Johns Hopkins University professor of Geophysics. This collection consists of the personal and professional papers of Professor Owen M. Phillips, which date from approximately the 1940s-1990s. This collection has not been processed.
This collection consists of twenty-six letters, and one postcard, exchanged between Paul Bowles and Mark Dery between the dates of May 6th, 1980 and August 19th, 1988. Paul Bowles (1910-1999) was an expatriate artist who lived in Tangier, Morocco; Mark Dery (1959) is an American writer, professor and cultural critic.
Paul Vacek was a violinist, pianist, and composer (using the pen name Paul Vazkén) who studied at the Peabody Conservatory of Music from 1946 to 1949. His papers contain manuscript scores of his compositions and arrangements, drafts and fragments of manuscript scores, and personal papers.