Showing Collections: 1 - 10 of 15
Adele Meade was a teacher and violinist in the Baltimore area. Her papers include photographs, a scrapbook, and personal papers primarily relating to her teaching career.
The collection consists of correspondence, two scrapbooks and other ephemeral material related to Gebelein's association with the Johns Hopkins University.
Ellis Larkins was a jazz pianist from Baltimore who studied at the Peabody Conservatory and had an active professional career from the 1940s to the 1990s. His papers include photocopied scrapbooks about his career as well as original photographs, clippings, concert programs, correspondence, and recordings.
Enrico Caruso (1873-1921) was one of the most popular operatic tenors of his era. After beginning his career in his native Italy, Caruso immigrated to the United States and became a star at the Metropolitan Opera. His papers include manuscript and published scores belonging to Caruso, photographs, correspondence, scrapbooks and clippings about his career, caricatures and other artwork, recordings, and ephemera.
The Fernanda Doria papers consist of scrapbooks with clippings, concert programs, and photographs related to her career as an operatic contralto in the early twentieth century, as well as correspondence and other personal documents.
Franz Carl Bornschein (1879-1948) was a composer of more than 200 works, primarily vocal music, and a professor of violin and composition at the Peabody Conservatory. His papers include scrapbooks, clippings, correspondence, photographs, personal papers, manuscript and printed scores, and the personal papers of his wife, Hazel Knox Bornschein.
The Johns Hopkins University collection of African American history and culture is an artificially assembled collection of printed materials, diaries, photographs, and other items created from 1800 to 1988.
This artificially-assembled collection consists of materials relating to international World's Fairs and Expositions, including photographs; postcards; written travelogues or personal accounts of the fairs; ephemera, including programs and printed souvenirs; lithographs and engravings; and physical objects. The materials date from the 1830s to the 1960s.