Showing Collections: 1 - 10 of 11
Elisabeth Gilman was born in New Haven, Connecticut, December 25, 1867. She was the younger daughter of Daniel Coit and Mary (Ketcham) Gilman. Her father was a college professor and the first president of The Johns Hopkins University. The papers consist of correspondence, speeches, writings, diaries, newspaper clippings, printed material, memorabilia, and photographs.
Ellis Larkins was a jazz pianist from Baltimore who studied at the Peabody Conservatory and had an active professional career from the 1940s to the 1990s. His papers include photocopied scrapbooks about his career as well as original photographs, clippings, concert programs, correspondence, and recordings.
Franz Carl Bornschein (1879-1948) was a composer of more than 200 works, primarily vocal music, and a professor of violin and composition at the Peabody Conservatory. His papers include scrapbooks, clippings, correspondence, photographs, personal papers, manuscript and printed scores, and the personal papers of his wife, Hazel Knox Bornschein.
John Pendleton Kennedy was an influential writer, politician, and businessman in the Baltimore area who was instrumental in the establishment of the Peabody Institute. His papers include correspondence with many notable American cultural and political figures of the 19th century, as well as manuscripts, scrapbooks, and miscellaneous business documents.
The Johns Hopkins University collection of African American history and culture is an artificially assembled collection of printed materials, diaries, photographs, and other items created from 1800 to 1988.
Joseph Schillinger was a theorist and composer famous for developing the Schillinger System, a method of deconstructing music using geometric phase relationships. The collection contains correspondence, recordings, scrapbooks, photographs, artwork, manuscript scores, and other documents related to his professional and personal life.
Reginald Stewart was a Scottish-born conductor and pianist who served as direcctor of the Peabody Institute from 1941 to 1959 and music director of the Baltimore Symphony Orchestra from 1942 to 1952. His papers include scrapbooks, correspondence, photographs, and recordings related to his career.