Showing Collections: 41 - 50 of 55
The Peabody Institute Concert Office arranges public performance events, recitals, special events, and tours. Materials in this collection include production files and related documentation about concerts, recitals, tours (including the Peabody Symphony Orchestra tour of the Soviet Union in 1987), concert hall rentals, graduation exercises, and special events at the Peabody Institute.
VIBES is a monthly concert series run by students of the Peabody Computer Music Department. This collection contains recorded performances, photographs, programs, and posters associated with VIBES concerts during the organization's first two years of existence, 2018-2020.
Soprano Phyllis Bryn-Julson taught at the Peabody Conservatory from 1984 to 2017 and is recognized as one of the most authoritative interpreters of vocal music of the 20th century. Her collection contains manuscript and facsimile scores by several notable composers with whom she worked, including Milton Babbitt, Pierre Boulez, Heinz Holliger, and David Del Tredici, as well as correspondence, programs, clippings, photographs, and other documents related to her career.
Reginald Stewart was a Scottish-born conductor and pianist who served as direcctor of the Peabody Institute from 1941 to 1959 and music director of the Baltimore Symphony Orchestra from 1942 to 1952. His papers include scrapbooks, correspondence, photographs, and recordings related to his career.
Rodney Hansen was an organist and choirmaster who graduated from the Peabody Conservatory of Music and spent much of his career in Baltimore. His personal papers include correspondence, concert programs, and clippings related to his career.
The Theater Chamber Players, founded by Peabody Institute faculty members Dina Koston and Leon Fleisher, were a chamber music ensemble that featured 20th-century music and was based primarily in Washington, D.C., from 1968 to 2003. The TCP records include administrative and business documents, correspondence, working files, concert programs, publicity material, photographs, recordings, scores, and reference material.
Theodor (Theodore) Hemberger was a German-born violinist, conductor, and composer who directed the Germania Männerchor and performed with H.L. Mencken in the Saturday Night Club. His wife, Emma Conrad Hemberger, was a singer and the composer of the anthem "Baltimore, Our Baltimore." The collection consists primarily of manuscript scores of Theodor's original works and arrangements for orchestra, voice, and chamber ensemble. Also included are manuscripts of Emma's music.
The collection contains chiefly printed material from 1872 to 1889 gathered by Theodor von Muncker, mayor of the Bavarian town of Bayreuth during the period of the construction and opening of the Festspielhaus theater designed for Richard Wagner. Documents in the collection are related to the administration and programming of the Festspielhaus and the Richard Wagner-Verein.