Skip to main content Skip to search results

Showing Resources: 1 - 10 of 12

Arthur Friedheim papers

 Collection
Identifier: PIMS-0041
Overview Musical compositions, correspondence, photographs, writings, clippings, and ephemera of pianist Arthur Friedheim and members of the Friedheim family.
Found in: Peabody Archives

Enrico Caruso papers

 Collection
Identifier: PIMS-0072
Overview Enrico Caruso (1873-1921) was one of the most popular operatic tenors of his era. After beginning his career in his native Italy, Caruso immigrated to the United States and became a star at the Metropolitan Opera. His papers include manuscript and published scores belonging to Caruso, photographs, correspondence, scrapbooks and clippings about his career, caricatures and other artwork, recordings, and ephemera.
Found in: Peabody Archives

Frank D. Willis papers

 Collection
Identifier: PIMS-0064
Overview Frank Willis was a classical pianist and composer who attended Peabody Conservatory and was a composer and conductor for the West Virginia Symphony Orchestra. His papers include manuscript and published scores and some contextual material.
Found in: Peabody Archives

Hugh Raymond Newsom papers

 Collection
Identifier: PIMS-0046
Overview Hugh Raymond Newsom (1892-1978) was an organist and composer who lived in Baltimore. The collection includes manuscript scores of music composed by Hugh Newsom or by his wife, harpist Marjorie Brunton Newsom; documents related to Hugh Newsom's career; and reel-to-reel recordings of his music.
Found in: Peabody Archives

John Charles Thomas papers

 Collection
Identifier: PIMS-0074
Overview John Charles Thomas was an internationally known baritone who attended Peabody Institute from 1909 to 1912. His papers include scores, personal and business papers, concert programs, clippings, correspondence, ephemera, photographs, and recordings.
Found in: Peabody Archives

Joseph Schillinger papers

 Collection
Identifier: PIMS-0048
Overview Joseph Schillinger was a theorist and composer famous for developing the Schillinger System, a method of deconstructing music using geometric phase relationships. The collection contains correspondence, recordings, scrapbooks, photographs, artwork, manuscript scores, and other documents related to his professional and personal life.
Found in: Peabody Archives

Otto Ortmann papers

 Collection
Identifier: PIMS-0077
Overview Otto Ortmann was the director of Peabody Conservatory of Music from 1928 to 1941 and founder of the conservatory's department of research, where he conducted studies on the education, psychology, and physiology of music. His papers include scores of original compositions, writings on music research, research notes, administrative files, concert programs, photographs, and teaching materials.
Found in: Peabody Archives

Paul Vazkén papers

 Collection
Identifier: PIMS-0043
Overview Paul Vacek was a violinist, pianist, and composer (using the pen name Paul Vazkén) who studied at the Peabody Conservatory of Music from 1946 to 1949. His papers contain manuscript scores of his compositions and arrangements, drafts and fragments of manuscript scores, and personal papers.
Found in: Peabody Archives

Phyllis Bryn-Julson papers

 Collection
Identifier: PIMS-0100
Overview Soprano Phyllis Bryn-Julson taught at the Peabody Conservatory from 1984 to 2017 and is recognized as one of the most authoritative interpreters of vocal music of the 20th century. Her collection contains manuscript and facsimile scores by several notable composers with whom she worked, including Milton Babbitt, Pierre Boulez, Heinz Holliger, and David Del Tredici, as well as correspondence, programs, clippings, photographs, and other documents related to her career.
Found in: Peabody Archives

Randolph S. Rothschild papers, including the Chamber Music Society of Baltimore records

 Collection
Identifier: PIMS-0098
Overview This collection contains the personal papers of Randolph S. Rothschild from 1930 to 2005 and the administrative records of the Chamber Music Society (CMS) of Baltimore from its founding in 1949 to its dissolution in 1997, for which Rothschild served as an executive for most of its existence. The CMS records include administrative documents, concert programs, publicity materials, and clippings related to its programming, which regularly featured commissions and other new music. Rothschild's...
Found in: Peabody Archives