Showing Collections: 1 - 10 of 27
Adele Meade was a teacher and violinist in the Baltimore area. Her papers include photographs, a scrapbook, and personal papers primarily relating to her teaching career.
Musical compositions, correspondence, photographs, writings, clippings, and ephemera of pianist Arthur Friedheim and members of the Friedheim family.
The Austin Conradi papers contain concert programs, school essays, newspaper clippings, correspondence, scores, and a photograph relating to the life and career of pianist Austin Conradi.
Christopher Lobingier (1944-2014) was a composer based in Baltimore who wrote the original score to the 1977 John Waters film Desperate Living and participated in the Baltimore Composers Forum. This collection contains scores of original compositions by Chris Lobingier, including his score to Desperate Living, as well as materials related to the Baltimore Composers Forum, recordings, and other ephemera.
Clinton Arrowood was a flautist and illustrator best known for his unique drawings of animals as musicians. The collection contains Arrowood's illustrations for musical events at the Peabody Institute and elsewhere, as well as drawings for children's books and other media. It includes original drawings, reproductions, clippings, and other documents related to Arrowood's career.
Dina Koston (1929-2009) was a pianist and composer who co-founded the Theater Chamber Players in Washington, D.C. The Dina Koston papers include manuscript scores of her compositions, documents related to her performances, and audio recordings.
Ellis Larkins was a jazz pianist from Baltimore who studied at the Peabody Conservatory and had an active professional career from the 1940s to the 1990s. His papers include photocopied scrapbooks about his career as well as original photographs, clippings, concert programs, correspondence, and recordings.
Enrico Caruso (1873-1921) was one of the most popular operatic tenors of his era. After beginning his career in his native Italy, Caruso immigrated to the United States and became a star at the Metropolitan Opera. His papers include manuscript and published scores belonging to Caruso, photographs, correspondence, scrapbooks and clippings about his career, caricatures and other artwork, recordings, and ephemera.
The Fernanda Doria papers consist of scrapbooks with clippings, concert programs, and photographs related to her career as an operatic contralto in the early twentieth century, as well as correspondence and other personal documents.
The George R. Woodhead papers contain personal papers and concert programs acquired over his career as a choral conductor and professor of music at Goucher College and other musical institutions in the Baltimore area. The documents include correspondence, newspaper clippings, photographs, teaching material, and financial documents. The majority of the concert programs come from performances by local churches, Johns Hopkins University, Goucher College, and the Bach Society of Baltimore.