Showing Collections: 21 - 30 of 39
Kent D. Currie was an expert of printing and typography who lived in Baltimore, Maryland. The bulk of the collection is formed by Currie's collection of type samples. It includes brochures from Europe, in particular Holland and United States, with a significant attention to Baltimorean type designers. Noteworthy is also Currie's correspondence. The papers span the 1920s to 1950s.
The Marion Rosette papers contain scores, working documents, personal papers, and recordings from Rosette’s career as a composer and arranger of children's music.
This collection contains Mary C. Walker’s papers acquired throughout her time working at Peabody and years thereafter. The collection consists of personal correspondence, working documents, programs, newspaper clippings of music events, photographs, and personal items.
Mihály Virizlay (1931-2008) was a Hungarian-born cellist who had a successful international career as a concerto and recital soloist, was principal cello of the Baltimore Symphony Orchestra for 40 years, and taught at the Peabody Institute. The Mihály Virizlay papers contain published and manuscript musical scores, chiefly for cello, including Virizlay’s own compositions and arrangements. The collection also includes recordings, concert programs, newspaper clippings, and correspondence.
Soprano Phyllis Bryn-Julson taught at the Peabody Institute from 1984 to 2017 and is known for her performances and recordings of 20th-century vocal music. The Phyllis Bryn-Julson papers contain programs, photographs, and other publicity materials from her singing career, correspondence with composers and other musicians, and scores of vocal music with Bryn-Julson's performance markings.
The collection consists of the personal papers of Dr. Barnes covering his work in infrared spectrocopy, infrared physics, and the electron microscope. The collection spans the 1920s through the 1980s.
Reginald Stewart was a Scottish-born conductor and pianist who served as direcctor of the Peabody Institute from 1941 to 1959 and music director of the Baltimore Symphony Orchestra from 1942 to 1952. His papers include scrapbooks, correspondence, photographs, and recordings related to his career.