Abstract

Adele Meade was a teacher and violinist in the Baltimore area. Her papers include photographs, a scrapbook, and personal papers primarily relating to her teaching career.

Abstract

Musical compositions, correspondence, photographs, writings, clippings, and ephemera of pianist Arthur Friedheim and members of the Friedheim family.

Abstract Charlie Byrd (1925-1999) was an American guitarist known for performing jazz, Brazilian music, and classical music. He was based in Washington, D.C., and Annapolis, Maryland, for much of his career and performed globally, including on U.S. State Department tours to South America and India. In the 1980s and 1990s he led the Charlie Byrd Trio, which included his brother, bassist Joe Byrd. Series 1 and 2 of the Charlie Byrd papers consist of Byrd's collection of manuscript and...

Abstract

Elsa Baklor was a coloratura soprano and music educator who taught at the Peabody Conservatory and privately in the mid-twentieth century. Her collection of five scrapbooks contain clippings, photographs, and concert programs related to her career as a performer and teacher.

Abstract

Enrico Caruso (1873-1921) was one of the most popular operatic tenors of his era. After beginning his career in his native Italy, Caruso immigrated to the United States and became a star at the Metropolitan Opera. His papers include manuscript and published scores belonging to Caruso, photographs, correspondence, scrapbooks and clippings about his career, caricatures and other artwork, recordings, and ephemera.

Abstract

Frank Willis was a classical pianist and composer who attended Peabody Conservatory and was a composer and conductor for the West Virginia Symphony Orchestra. His papers include manuscript and published scores and some contextual material.

Abstract

Hugh Raymond Newsom (1891-1978) was an organist and composer who lived in Baltimore. The collection includes manuscript scores of music composed by Hugh Newsom or by his wife, harpist Marjorie Brunton Newsom; documents related to Hugh Newsom's career; and reel-to-reel recordings of his music.

Abstract

Jean Eichelberger Ivey (1923-2010) was a composer, pianist, electronic musician, professor, and the founder of the Peabody Conservatory Electronic Music Studio, which she directed from 1969 until her retirement from Peabody in 1997. The Jean Eichelberger Ivey papers contain scores and recordings of Ivey's musical works, writings and notes by Ivey, personal and professional correspondence, programs and clippings, photographs, and other personal and professional papers.

Abstract

John Charles Thomas (1891-1960) was a baritone who had a lengthy career as an opera singer and recording artist. His papers include scores, personal and business papers, concert programs, clippings, correspondence, ephemera, photographs, and recordings.

Abstract

Joseph Schillinger was a theorist and composer famous for developing the Schillinger System, a method of deconstructing music using geometric phase relationships. The collection contains correspondence, recordings, scrapbooks, photographs, artwork, manuscript scores, and other documents related to his professional and personal life.

Abstract Pianist, conductor, and teacher Leon Fleisher (1928-2020) had a career in music stretching more than 70 years, including 61 years as a faculty member of the Peabody Conservatory. After making his debut at age 16 with Pierre Monteux conducting, Fleisher toured internationally as a soloist until a neurological condition caused him to lose the full use of his right hand. After three decades of focusing on performing the piano repertoire for the left hand, conducting various ensembles, and...

Abstract

Mihály Virizlay (1931-2008) was a Hungarian-born cellist who had an international career as a concerto and recital soloist, was principal cello of the Baltimore Symphony Orchestra for 40 years, and taught at the Peabody Institute. The Mihály Virizlay papers contain published and manuscript musical scores, chiefly for cello, including Virizlay’s own compositions and arrangements. The collection also includes recordings, concert programs, newspaper clippings, and correspondence.

Abstract

Soprano Phyllis Bryn-Julson taught at the Peabody Institute from 1984 to 2017 and is known for her performances and recordings of 20th-century vocal music. The Phyllis Bryn-Julson papers contain programs, photographs, and other publicity materials from her singing career, correspondence with composers and other musicians, and scores of vocal music with Bryn-Julson's performance markings.

Abstract This collection contains the personal papers of Randolph S. Rothschild from 1930 to 2005 and the administrative records of the Chamber Music Society (CMS) of Baltimore from its founding in 1949 to its dissolution in 1997, for which Rothschild served as an executive for most of its existence. The CMS records include administrative documents, concert programs, publicity materials, and clippings related to its programming, which regularly featured commissions and other new music. Rothschild's...

Abstract

Reginald Stewart was a Scottish-born conductor and pianist who served as director of the Peabody Conservatory from 1941 to 1957 and music director of the Baltimore Symphony Orchestra from 1942 to 1952. His papers include scrapbooks, correspondence, photographs, and recordings related to his career.

Abstract

The Theater Chamber Players, founded by Peabody Institute faculty members Dina Koston and Leon Fleisher, were a chamber music ensemble that featured 20th-century music and was based primarily in Washington, D.C., from 1968 to 2003. The TCP records include administrative and business documents, correspondence, working files, concert programs, publicity material, photographs, recordings, scores, and reference material.

Abstract

The Women Composers Orchestra operated in Baltimore from 1985 to 1995 with the mission to perform compositions of women composers both past and present. The collection primarily consists of the organization's administrative documents.

Abstract Yvette Matthews (1948-2020) was a mezzo-soprano from Baltimore. She studied at the Peabody Preparatory and sang with ensembles such as the Baltimore Opera Company, the Baltimore Symphony Opera, and the Baltimore Choral Arts Society. In the 1980s and 1990s, Matthews sang with the Houston Grand Opera Company on tours throughout North America, Europe, and Japan. The Yvette Matthews papers, approximately 1965-2021, contain professional files consisting of programs, clippings, publicity...