Showing Collections: 1 - 10 of 24
Blanche D. Coll (1916-2003) was an author and historian whose main area of research was the history of social welfare in the United States. Collection ranges in dates spanning 1908, the 1930s, and 1969 and consists of 26 photographs; two published volumes of Mary E. Richmond, a founder of modern social work; Coll's thesis; an oral history transcript; and four audio tapes.
Community Concerts at Second, formerly known as the Second Presbyterian Concert Series, is a nonprofit organization established in 1987 in Baltimore that invites classical musicians to perform free concerts. The collection contains administrative records, concert programs, photographs, clippings, and recordings related to the organization and its concerts.
Dawn Culbertson was an eclectic musician and composer based in Baltimore who experimented with the lute and recorder. Her papers contain original manuscript compositions, personal papers primarily from her student years, and recordings of her radio show, Exploring Early Music.
Dina Koston (1929-2009) was a pianist and composer who co-founded the Theater Chamber Players in Washington, D.C. The Dina Koston papers include manuscript scores of her compositions, documents related to her performances, and audio recordings.
Frank Willis was a classical pianist and composer who attended Peabody Conservatory and was a composer and conductor for the West Virginia Symphony Orchestra. His papers include manuscript and published scores and some contextual material.
The Hopkins Symphony Orchestra (HSO) was established in its present form in 1981 by Peabody Conservatory graduate student Catherine Overhauser. This collection consists of promotional flyers and posters, concert programs, and audio recordings of performances by the Hopkins Symphony Orchestra spanning 1986 to 2014.
Jean Eichelberger Ivey (1923-2010) was a composer, pianist, electronic musician, professor, and the founder of the Peabody Conservatory Electronic Music Studio, which she directed from 1969 until her retirement from Peabody in 1997. The Jean Eichelberger Ivey papers contain scores and recordings of Ivey's musical works, writings and notes by Ivey, personal and professional correspondence, programs and clippings, photographs, and other personal and professional papers.
This is an artificially assembled collection of oral histories recorded with administration, faculty, staff, alumni, students, and other Johns Hopkins University affiliates, 1999-2004 and 2014-present. The early oral history interviews were faciliated by Mame Warren starting 1999, and as of 2014 by Hopkins Retrospective.