Showing Collections: 1 - 6 of 6
Brick Fleagle and Luther Henderson papers and collection of jazz recordings
Brick Fleagle and Luther Henderson were jazz musicians and arrangers who were business partners and close friends. The Brick Fleagle and Luther Henderson papers and collection of jazz recordings contain manuscript and published scores of Fleagle's and Henderson's compositions and arrangements, personal papers of Brick Fleagle, photographs, and recordings.
Conrad Gebelein papers
The collection consists of correspondence, two scrapbooks and other ephemeral material related to Gebelein's association with the Johns Hopkins University.
Ellis Larkins papers
Ellis Larkins was a jazz pianist from Baltimore who studied at the Peabody Conservatory and had an active professional career from the 1940s to the 1990s. His papers include photocopied scrapbooks about his career as well as original photographs, clippings, concert programs, correspondence, and recordings.
Roy McCoy photographs
Roy McCoy (1920-2001) was a jazz trumpeter from Baltimore who performed with such ensembles as the house band of the Royal Theater and the Lionel Hampton Band in the late 1930s and 1940s. McCoy took many pictures of his friends and associates in the Baltimore musical scene. The McCoy photographs collection contains prints, negatives, and a photo album of musicians and associates, primarily from approximately 1935 to 1965.
Sidney Lanier papers
Sidney Clopton Lanier (1842-1881) was an American musician, poet and author. The collection spans the years 1838 to 1998, with the bulk dating from 1838 to 1972. The material consists of correspondence, prose, poetry, lecture and music manuscripts, photographs, memorial information, and newspaper clippings.
Sounds and Stories collection
Sounds and Stories began in 2002 as an oral-history project. A Peabody Conservatory musicology seminar of 18 students interviewed dozens of participants in the music of Baltimore's black community to record their memories and to document their world and their legacy. The collection was assembled primarily from 1998 to 2004 and contains oral histories, photographs, and supporting research about African-American musical culture, especially in Baltimore from approximately 1930 to 1960.