Showing Collections: 121 - 130 of 138
Manuscript sheet music depicting an arrangement of the Thomas Moore poem "Calm in His Mother's Eyes," 1832. The name of the creator cannot be read.
Sidney Clopton Lanier (1842-1881) was an American musician, poet and author. The collection spans the years 1838 to 1998, with the bulk dating from 1838 to 1972. The material consists of correspondence, prose, poetry, lecture and music manuscripts, photographs, memorial information, and newspaper clippings.
This collection constists of records created by the Sirens, a student a cappella group at Johns Hopkins University.
The Theater Chamber Players, founded by Peabody Institute faculty members Dina Koston and Leon Fleisher, were a chamber music ensemble that featured 20th-century music and was based primarily in Washington, D.C., from 1968 to 2003. The TCP records include administrative and business documents, correspondence, working files, concert programs, publicity material, photographs, recordings, scores, and reference material.
Theodor (Theodore) Hemberger was a German-born violinist, conductor, and composer who directed the Germania Männerchor and performed with H.L. Mencken in the Saturday Night Club. His wife, Emma Conrad Hemberger, was a singer and the composer of the anthem "Baltimore, Our Baltimore." The collection consists primarily of manuscript scores of Theodor's original works and arrangements for orchestra, voice, and chamber ensemble. Also included are manuscripts of Emma's music.
Thom Robinson (1962-1994) was a composer and violinist who studied with Morris Moshe Cotel and earned a degree in composition from the Peabody Conservatory in 1986. The collection contains manuscript and facsimile scores of Robinson's compositions. The bulk of the scores are for chamber ensembles, sometimes including voices.
Timothy Mather Spelman was an American-born composer who spent much of his career in Florence writing operas and vocal music. The collection includes manuscript and published scores of his compositions.
Virginia C. Blackhead (1882-1969) was the superintendent of the Peabody Preparatory from 1932 to 1944. Blackhead was also the director of the Baltimore and Ohio Women's Music Club from 1925 to 1940 and a musical advisor to the Peabody Junior Choir (later renamed the Phoenix Choir of Baltimore). The Virginia C. Blackhead music manuscripts (approximately 1905-1955) contain manuscript scores of songs for voice and piano composed by Blackhead.