Showing Collections: 1 - 25 of 37
Adele Meade papers
Adele Meade was a teacher and violinist in the Baltimore area. Her papers include photographs, a scrapbook, and personal papers primarily relating to her teaching career.
Aleine Austin papers
Aleine Austin was historian and author born in New York City, July 19, 1922. The papers, dating from 1940 to 1991, consist of student notes, lecture notes, published articles, manuscript notes, recordings, photographs, correspondence, and a selection of papers that document Aleine Austin's interest and work in the American labor movement.
Alinda B. Couper papers
Alinda Burnham Couper studied harmonic analysis with Nadia Boulanger and taught and composed music, becoming one of the pioneer composers of handbell music and developing a new technique called "four-in-hand." Couper remained friends with Boulanger and exchanged letters for years after studying with her. The Alinda B. Couper papers contain manuscripts and published scores composed by Couper, as well as her notes, composition journals, papers, and photos.
Arthur Friedheim papers
Musical compositions, correspondence, photographs, writings, clippings, and ephemera of pianist Arthur Friedheim and members of the Friedheim family.
Brick Fleagle and Luther Henderson papers and collection of jazz recordings
Brick Fleagle and Luther Henderson were jazz musicians and arrangers who were business partners and close friends. The Brick Fleagle and Luther Henderson papers and collection of jazz recordings contain manuscript and published scores of Fleagle's and Henderson's compositions and arrangements, personal papers of Brick Fleagle, photographs, and recordings.
Charlie Byrd papers
Conrad Gebelein papers
The collection consists of correspondence, two scrapbooks and other ephemeral material related to Gebelein's association with the Johns Hopkins University.
Ella Shields collection
This collection contains sheet music for "You Oughta See My Baby" and "Why Did I Kiss That Girl," both editions featuring Ella Shields on the cover, as well as a playbill for a 1949 showing of the nostalgia music hall show "Thanks for the Memory," and five photographs of Ella Shields from various points in her career.
Elsa Baklor scrapbooks
Elsa Baklor was a coloratura soprano and music educator who taught at the Peabody Conservatory and privately in the mid-twentieth century. Her collection of five scrapbooks contain clippings, photographs, and concert programs related to her career as a performer and teacher.
Enrico Caruso papers
Enrico Caruso (1873-1921) was one of the most popular operatic tenors of his era. After beginning his career in his native Italy, Caruso immigrated to the United States and became a star at the Metropolitan Opera. His papers include manuscript and published scores belonging to Caruso, photographs, correspondence, scrapbooks and clippings about his career, caricatures and other artwork, recordings, and ephemera.
Frank D. Willis papers
Frank Willis was a classical pianist and composer who attended Peabody Conservatory and was a composer and conductor for the West Virginia Symphony Orchestra. His papers include manuscript and published scores and some contextual material.
Franz C. Bornschein papers
Franz Carl Bornschein (1879-1948) was a composer of more than 200 works, primarily vocal music, and a professor of violin and composition at the Peabody Conservatory. His papers include scrapbooks, clippings, correspondence, photographs, personal papers, manuscript and printed scores, and the personal papers of his wife, Hazel Knox Bornschein.
Hugh R. Newsom papers
Hugh Raymond Newsom (1891-1978) was an organist and composer who lived in Baltimore. The collection includes manuscript scores of music composed by Hugh Newsom or by his wife, harpist Marjorie Brunton Newsom; documents related to Hugh Newsom's career; and reel-to-reel recordings of his music.
Jean Eichelberger Ivey papers
Jean Eichelberger Ivey (1923-2010) was a composer, pianist, electronic musician, professor, and the founder of the Peabody Conservatory Electronic Music Studio, which she directed from 1969 until her retirement from Peabody in 1997. The Jean Eichelberger Ivey papers contain scores and recordings of Ivey's musical works, writings and notes by Ivey, personal and professional correspondence, programs and clippings, photographs, and other personal and professional papers.
John Charles Thomas papers
John Charles Thomas (1891-1960) was a baritone who had a lengthy career as an opera singer and recording artist. His papers include scores, personal and business papers, concert programs, clippings, correspondence, ephemera, photographs, and recordings.
Johns Hopkins University Billie Holiday collection
The Johns Hopkins University Billie Holiday collection is an artificially assembled collection with manuscript material chosen by the curators of Special Collections, dating from approximately 1939 to 1993. The collection features eleven items related to the life, career, and death of jazz singer Billie Holiday, 1915-1959. Holiday, or "Lady Day," was known for her disctinct vocal delivery and had a profound influence on jazz and blues music.
Johns Hopkins University collection of Maryland African American history and culture
The Johns Hopkins University collection of Maryland African American history and culture is an artificially assembled collection which spans from the 18th to the 20th century. The collection consists of materials selected by the curators of Special Collections.
Johns Hopkins University Josephine Baker collection
Josephine Baker (1906-1975) was an American-born French dancer, singer, and actress who came to be known in various circles as the "Black Pearl," "Bronze Venus" and even the "Creole Goddess". Baker was the first Black woman to star in a major motion picture, Zouzou (1934) and to become a world-famous entertainer. The materials span from 1926 to circa 1970 and contain photographs, promotional flyers, and ephemeral books.
Joseph Schillinger papers
Joseph Schillinger was a theorist and composer famous for developing the Schillinger System, a method of deconstructing music using geometric phase relationships. The collection contains correspondence, recordings, scrapbooks, photographs, artwork, manuscript scores, and other documents related to his professional and personal life.
Leon Fleisher papers
Lester Dequaine collection on Rosa Ponselle
Marion Rosette papers
The Marion Rosette papers contain scores, working documents, personal papers, and recordings from Rosette’s career as a composer and arranger of children's music.
May Garrettson Evans scrapbooks
May Garrettson Evans was a writer for The Baltimore Sun who founded the Peabody Preparatory Department in 1898 and served as its superintendent until 1930. Her collection includes personal scrapbooks and photographs of Evans and her family, including items from her time at the Peabody Preparatory Department.
Mihály Virizlay papers and cello score collection
Mihály Virizlay (1931-2008) was a Hungarian-born cellist who had an international career as a concerto and recital soloist, was principal cello of the Baltimore Symphony Orchestra for 40 years, and taught at the Peabody Institute. The Mihály Virizlay papers contain published and manuscript musical scores, chiefly for cello, including Virizlay’s own compositions and arrangements. The collection also includes recordings, concert programs, newspaper clippings, and correspondence.
Otto Ortmann papers
Otto Ortmann was the director of Peabody Conservatory of Music from 1928 to 1941 and founder of the conservatory's department of research, where he conducted studies on the education, psychology, and physiology of music. His papers include scores of original compositions, writings on music research, research notes, administrative files, concert programs, photographs, and teaching materials.