Showing Collections: 91 - 100 of 134
Otto Ortmann was the director of Peabody Conservatory of Music from 1928 to 1941 and founder of the conservatory's department of research, where he conducted studies on the education, psychology, and physiology of music. His papers include scores of original compositions, writings on music research, research notes, administrative files, concert programs, photographs, and teaching materials.
Patti Chapin (later Patti Steincrohn) was a CBS radio singer and pianist from approximately 1934-1943. The collection, approximately 1900-1970, primarily contains annotated and unannotated performance (artist) copies of popular songs, but also includes correspondence, images, song catalogs, unverified original compositions, and various collected popular songs.
This collection contains scores and recordings of music by Paul M. Stouffer.
Paul Vacek was a violinist, pianist, and composer (using the pen name Paul Vazkén) who studied at the Peabody Conservatory of Music from 1946 to 1949. His papers contain manuscript scores of his compositions and arrangements, drafts and fragments of manuscript scores, and personal papers.
The Peabody Conservatory scrapbook collection, 1866-1988, contains scrapbooks and clipping books that document the activities of the Conservatory and its Preparatory Department. Most of these scrapbooks were probably compiled by the Institute itself or by a clipping agency. Two boxes of scrapbooks document the activities of the Peabody chapter of the Mu Phi Epsilon music fraternity. Three scrapbooks focus on the Peabody Conservatory Alumni Association.
Robert Hall Lewis was a composer who taught at the Peabody Institute from 1969 to 1980. This collection contains newspaper clippings and related publicity about Lewis, correspondence between Lewis and the Peabody Institute, two photocopies of the holograph for his String Quartet No. 4, and three musical sketches for his Symphony No. 4.
The Peabody Institute has regularly recorded concerts, recitals, and other events on campus since the 1960s. These recordings form the core of the Peabody Institute's sound and video recordings collection.
Soprano Phyllis Bryn-Julson taught at the Peabody Conservatory from 1984 to 2017 and is recognized as one of the most authoritative interpreters of vocal music of the 20th century. Her collection contains manuscript and facsimile scores by several notable composers with whom she worked, including Milton Babbitt, Pierre Boulez, Heinz Holliger, and David Del Tredici, as well as correspondence, programs, clippings, photographs, and other documents related to her career.