Showing Collections: 21 - 30 of 30
Morris Moshe Cotel (1943-2008) was a composer and pianist who was a member of the Peabody Conservatory faculty from 1972 to 2000. The Morris Moshe Cotel papers consist of letters from Cotel to his first wife, Karen Schwartzman, while Cotel was living in Rome and Israel in 1967 and 1968, as well as manuscript facsimile scores of two of his early compositions.
Nicholas Maw (1935-2009) was a British composer who taught at the Peabody Institute from 1998 to 2008. The Nicholas Maw papers (approximately 1956-2009) contain manuscripts, scores, and recordings of musical compositions by Maw, including the opera Sophie's Choice. The collection also contains correspondence, programs, reviews, lecture notes, and other personal papers.
Otto Ortmann was the director of Peabody Conservatory of Music from 1928 to 1941 and founder of the conservatory's department of research, where he conducted studies on the education, psychology, and physiology of music. His papers include scores of original compositions, writings on music research, research notes, administrative files, concert programs, photographs, and teaching materials.
Paul Vacek was a violinist, pianist, and composer (using the pen name Paul Vazkén) who studied at the Peabody Conservatory of Music from 1946 to 1949. His papers contain manuscript scores of his compositions and arrangements, drafts and fragments of manuscript scores, and personal papers.
Robert Hall Lewis was a composer who taught at the Peabody Institute from 1969 to 1980. This collection contains newspaper clippings and related publicity about Lewis, correspondence between Lewis and the Peabody Institute, two photocopies of the holograph for his String Quartet No. 4, and three musical sketches for his Symphony No. 4.
Soprano Phyllis Bryn-Julson taught at the Peabody Institute from 1984 to 2017 and is known for her performances and recordings of 20th-century vocal music. The Phyllis Bryn-Julson papers contain programs, photographs, and other publicity materials from her singing career, correspondence with composers and other musicians, and scores of vocal music with Bryn-Julson's performance markings.
Rodney Hansen was an organist and choirmaster who graduated from the Peabody Conservatory of Music and spent much of his career in Baltimore. His personal papers include correspondence, concert programs, and clippings related to his career.
Sidney Clopton Lanier (1842-1881) was an American musician, poet and author. The collection spans the years 1838 to 1998, with the bulk dating from 1838 to 1972. The material consists of correspondence, prose, poetry, lecture and music manuscripts, photographs, memorial information, and newspaper clippings.
Wilmer T. Bartholomew was a professor of music at the Peabody Institute and Goucher College who specialized in acoustics research, singing technique, and choral conducting. The Bartholomew papers contain published and manuscript scores composed by Bartholomew as well as various notes, research, correspondence, and publications.