Showing Collections: 31 - 38 of 38
Collection
Identifier: MS-0224
Scope and Contents
The collection consists of four series, spanning the years from the 1950's through the 1980's. The series are theatrical performances, symphony, opera, and dance. The playbills, programs, and souvenir programs which form the collection reflect the major stage productions of drama, musical comedy, dance, opera, and the symphony for that period. Most of the collection is from American stages but European cities of London, Paris, and Dublin are represented.Over 250 Playbills from New...
Dates:
1951-1989
Collection
Identifier: PIMS-0070
Abstract
The Theater Chamber Players, founded by Peabody Institute faculty members Dina Koston and Leon Fleisher, were a chamber music ensemble that featured 20th-century music and was based primarily in Washington, D.C., from 1968 to 2003. The TCP records include administrative and business documents, correspondence, working files, concert programs, publicity material, photographs, recordings, scores, and reference material.
Dates:
1960-2007
Collection
Identifier: PIMS-0080
Abstract
Theodor (Theodore) Hemberger was a German-born violinist, conductor, and composer who directed the Germania Männerchor and performed with H.L. Mencken in the Saturday Night Club. His wife, Emma Conrad Hemberger, was a singer and the composer of the anthem "Baltimore, Our Baltimore." The collection consists primarily of manuscript scores of Theodor's original works and arrangements for orchestra, voice, and chamber ensemble. Also included are manuscripts of Emma's music.
Dates:
approximately 1890-1950
Collection
Identifier: PIMS-0012
Abstract
Born in czarist Russia, composer and pianist Vladimir Padwa immigrated to the United States in 1932 and was heard regularly in concert halls, on radio, and in recordings for RCA Victor. He co-founded the First Piano Quartet and taught at the New York College of Music. The Vladimir Padwa papers contain manuscript scores, many of which are holographs, of nearly all of Padwa’s compositions, including works for piano, large ensemble, and the stage. The collection also includes Padwa’s musical...
Dates:
1900 - 1983; Majority of material found within 1930 - 1980
Collection
Identifier: PIMS-0008
Abstract
William A. Chrystal was a pianist, composer, arranger, and conductor based in the Pittsburgh area for most of his career. He attended the Peabody Conservatory in the 1950s and earned degrees in piano performance. The William A. Chrystal papers contain music manuscripts, programs, clippings, professional documents, and sound recordings.
Dates:
1946 - 2015
Collection
Identifier: PIMS-0092
Abstract
William Rush Dunton, Jr., was an occupational therapist and psychiatrist who was an instructor for the Johns Hopkins University School of Medicine from 1903 to 1942. Dunton was also a music lover and amateur percussionist who performed in several ensembles in the Baltimore area, including the Doctors’ Orchestra of the Medical and Chirurgical Faculty of Maryland, the Clifton Orchestra, and the Johns Hopkins Orchestra. In addition, he collected materials related to musical activities in...
Dates:
1912 - 1936
Collection
Identifier: PIMS-0050
Abstract
The Women Composers Orchestra operated in Baltimore from 1985 to 1995 with the mission to perform compositions of women composers both past and present. The collection primarily consists of the organization's administrative documents.
Dates:
1985-1995
Collection
Identifier: PIMS-0123
Abstract
Yvette Matthews (1948-2020) was a mezzo-soprano from Baltimore. She studied at the Peabody Preparatory and sang with ensembles such as the Baltimore Opera Company, the Baltimore Symphony Opera, and the Baltimore Choral Arts Society. In the 1980s and 1990s, Matthews sang with the Houston Grand Opera Company on tours throughout North America, Europe, and Japan. The Yvette Matthews papers, approximately 1965-2021, contain professional files consisting of programs, clippings, publicity...
Dates:
approximately 1965-2021
