Showing Collections: 11 - 20 of 24
The Glenroy C. Stein papers contain scores and method books written by Stein and various other composers. Also included are personal papers which include newspaper clippings, correspondence, posters, and concert programs.
Jean Eichelberger Ivey (1923-2010) was a composer, pianist, electronic musician, professor, and the founder of the Peabody Conservatory Electronic Music Studio, which she directed from 1969 until her retirement from Peabody in 1997. The Jean Eichelberger Ivey papers contain scores and recordings of Ivey's musical works, writings and notes by Ivey, personal and professional correspondence, programs and clippings, photographs, and other personal and professional papers.
Lucille Tingle Masson (1901-1989) was a music teacher, organist, and choirmaster who earned degrees from the Johns Hopkins University and the Peabody Conservatory. The collection contains Masson's master's thesis, "The Musical Heritage of the Protestant Episcopal Church" (1954), and notes from her music theory classes at the Peabody Conservatory.
Mihály Virizlay (1931-2008) was a Hungarian-born cellist who had an international career as a concerto and recital soloist, was principal cello of the Baltimore Symphony Orchestra for 40 years, and taught at the Peabody Institute. The Mihály Virizlay papers contain published and manuscript musical scores, chiefly for cello, including Virizlay’s own compositions and arrangements. The collection also includes recordings, concert programs, newspaper clippings, and correspondence.
Richard Benda was a pianist and teacher renowned for his strategy in teaching the Joseph Schillinger system of musical composition. The Richard Benda papers contain manuscript notebooks and transcriptions of his teaching material concerned with the Schillinger system. Also included are pedagogical materials in the form of notes, recordings, and an unpublished supplement to the Schillinger system.
Sidney Clopton Lanier (1842-1881) was an American musician, poet and author. The collection spans the years 1838 to 1998, with the bulk dating from 1838 to 1972. The material consists of correspondence, prose, poetry, lecture and music manuscripts, photographs, memorial information, and newspaper clippings.
Theodor (Theodore) Hemberger was a German-born violinist, conductor, and composer who directed the Germania Männerchor and performed with H.L. Mencken in the Saturday Night Club. His wife, Emma Conrad Hemberger, was a singer and the composer of the anthem "Baltimore, Our Baltimore." The collection consists primarily of manuscript scores of Theodor's original works and arrangements for orchestra, voice, and chamber ensemble. Also included are manuscripts of Emma's music.