Abstract

Brick Fleagle and Luther Henderson were jazz musicians and arrangers who were business partners and close friends. The Brick Fleagle and Luther Henderson papers and collection of jazz recordings contain manuscript and published scores of Fleagle's and Henderson's compositions and arrangements, personal papers of Brick Fleagle, photographs, and recordings.

Abstract

Christopher Lobingier (1944-2014) was a composer based in Baltimore who wrote the original score to the 1977 John Waters film Desperate Living and participated in the Baltimore Composers Forum. This collection contains scores of original compositions by Chris Lobingier, including his score to Desperate Living, as well as materials related to the Baltimore Composers Forum, recordings, and other ephemera.

Abstract

Frank Willis was a classical pianist and composer who attended Peabody Conservatory and was a composer and conductor for the West Virginia Symphony Orchestra. His papers include manuscript and published scores and some contextual material.

Abstract

Franz Carl Bornschein (1879-1948) was a composer of more than 200 works, primarily vocal music, and a professor of violin and composition at the Peabody Conservatory. His papers include scrapbooks, clippings, correspondence, photographs, personal papers, manuscript and printed scores, and the personal papers of his wife, Hazel Knox Bornschein.

Abstract

Hugh Raymond Newsom (1891-1978) was an organist and composer who lived in Baltimore. The collection includes manuscript scores of music composed by Hugh Newsom or by his wife, harpist Marjorie Brunton Newsom; documents related to Hugh Newsom's career; and reel-to-reel recordings of his music.

Abstract

Jean Eichelberger Ivey (1923-2010) was a composer, pianist, electronic musician, professor, and the founder of the Peabody Conservatory Electronic Music Studio, which she directed from 1969 until her retirement from Peabody in 1997. The Jean Eichelberger Ivey papers contain scores and recordings of Ivey's musical works, writings and notes by Ivey, personal and professional correspondence, programs and clippings, photographs, and other personal and professional papers.

Abstract

John Charles Thomas was an internationally known baritone who attended Peabody Institute from 1909 to 1912. His papers include scores, personal and business papers, concert programs, clippings, correspondence, ephemera, photographs, and recordings.

Abstract The most sought-after soprano of the 1920s and 1930s, Rosa Ponselle (née Rosa Ponzillo, 1897–1981) began her musical career in a vaudeville act with her sister Carmela Ponselle. Upon hearing Rosa Ponselle for the first time, Enrico Caruso took her under his wing and they appeared on the Metropolitan Opera stage together in La Forza del Destino and La Juive. She would go on to sing the title role in the Metropolitan's revival...

Abstract Marni Nixon (1930-2016) was a versatile American soprano who had a lengthy career performing in the worlds of musical theater, opera, popular song, and concert music. She was well known for her work as a "ghost singer" in several major film musicals of the 1950s and 1960s, performing the singing parts in The King and I, West Side Story, and My Fair Lady. In 2012 the Peabody...

Abstract

Mihály Virizlay (1931-2008) was a Hungarian-born cellist who had an international career as a concerto and recital soloist, was principal cello of the Baltimore Symphony Orchestra for 40 years, and taught at the Peabody Institute. The Mihály Virizlay papers contain published and manuscript musical scores, chiefly for cello, including Virizlay’s own compositions and arrangements. The collection also includes recordings, concert programs, newspaper clippings, and correspondence.