Showing Collections: 51 - 60 of 89
The Mary Sue Sklarevski papers consists of material relating to Sklarevski's career as a musician, composer, and poet. The majority of the collection consists of manuscript and published scores. Various personal papers, photographs, and published poetry are also included.
May Garrettson Evans was a writer for The Baltimore Sun who founded the Peabody Preparatory Department in 1898 and served as its superintendent until 1930. Her collection includes personal scrapbooks and photographs of Evans and her family, including items from her time at the Peabody Preparatory Department.
Mihály Virizlay (1931-2008) was a Hungarian-born cellist who had a successful international career as a concerto and recital soloist, was principal cello of the Baltimore Symphony Orchestra for 40 years, and taught at the Peabody Institute. The Mihály Virizlay papers contain published and manuscript musical scores, chiefly for cello, including Virizlay’s own compositions and arrangements. The collection also includes recordings, concert programs, newspaper clippings, and correspondence.
Morris Moshe Cotel (1943-2008) was a composer and pianist who was a member of the Peabody Conservatory faculty from 1972 to 2000. The Morris Moshe Cotel papers consist of letters from Cotel to his first wife, Karen Schwartzman, while Cotel was living in Rome and Israel in 1967 and 1968, as well as manuscript facsimile scores of two of his early compositions.
Nicholas Maw (1935-2009) was a British composer who taught at the Peabody Institute from 1998 to 2008. The Nicholas Maw papers (approximately 1956-2009) contain manuscripts, scores, and recordings of musical compositions by Maw, including the opera Sophie's Choice. The collection also contains correspondence, programs, reviews, lecture notes, and other personal papers.
Otto Ortmann was the director of Peabody Conservatory of Music from 1928 to 1941 and founder of the conservatory's department of research, where he conducted studies on the education, psychology, and physiology of music. His papers include scores of original compositions, writings on music research, research notes, administrative files, concert programs, photographs, and teaching materials.
This collection contains scores and recordings of music by Paul M. Stouffer.
Paul Vacek was a violinist, pianist, and composer (using the pen name Paul Vazkén) who studied at the Peabody Conservatory of Music from 1946 to 1949. His papers contain manuscript scores of his compositions and arrangements, drafts and fragments of manuscript scores, and personal papers.
The Peabody Conservatory scrapbook collection, 1866-1988, contains scrapbooks and clipping books that document the activities of the Conservatory and its Preparatory Department. Most of these scrapbooks were probably compiled by the Institute itself or by a clipping agency. Two boxes of scrapbooks document the activities of the Peabody chapter of the Mu Phi Epsilon music fraternity. Three scrapbooks focus on the Peabody Conservatory Alumni Association.