Showing Collections: 51 - 60 of 132
Hugh R. Newsom papers
Hugh Raymond Newsom (1891-1978) was an organist and composer who lived in Baltimore. The collection includes manuscript scores of music composed by Hugh Newsom or by his wife, harpist Marjorie Brunton Newsom; documents related to Hugh Newsom's career; and reel-to-reel recordings of his music.
Hugo Weisgall music manuscripts
Jacques Barzun papers
Jean Eichelberger Ivey papers
Jean Eichelberger Ivey (1923-2010) was a composer, pianist, electronic musician, professor, and the founder of the Peabody Conservatory Electronic Music Studio, which she directed from 1969 until her retirement from Peabody in 1997. The Jean Eichelberger Ivey papers contain scores and recordings of Ivey's musical works, writings and notes by Ivey, personal and professional correspondence, programs and clippings, photographs, and other personal and professional papers.
Jewett & Company Publishers handkerchief printed with lines of music and lyrics for "Little Eva Song"
John C. French collection of sheet music based on the writings of Edgar Allan Poe
John Carbonell sheet music collection
John Cole was one of the earliest and most prolific sheet music publishers in Baltimore. This collection spanning his publishing career was collected by John Carbonell and subsequently organized by engraving plate number.
John Charles Thomas papers
John Charles Thomas was an internationally known baritone who attended Peabody Institute from 1909 to 1912. His papers include scores, personal and business papers, concert programs, clippings, correspondence, ephemera, photographs, and recordings.
Johns Hopkins University assorted sheet music collection
This is an artifically assembled collection with sheet music from various origins. Accruals in this collection are selected by the curators of Special Collections or donated by patrons. See component levels for more information about the items in this collection.
Johns Hopkins University collection of Black Americana materials
The Johns Hopkins University collection of Black Americana materials spans from approximately 1870 to the 1950s. It is an artificially assembled collection of materials purchased and selected by the curators of Special Collections. The collection primarily consists of postcards, broadsides, and other printed ephemera that depict African American people in ways that are often racist and caricatured.