Showing Resources: 1 - 10 of 110
A. Jack Thomas music manuscripts
Collection
Identifier: PIMS-0022
Overview
Alfred Jack Thomas was an African-American composer, educator, and conductor who served as a bandmaster in the United States Army and became the first African American to conduct the Baltimore Symphony Orchestra. The A. Jack Thomas papers contain manuscript scores and instrumental parts for three of his compositions for orchestra: Mirage, Scenes Pastoral, and Etude en Noir.
Found in:
Peabody Archives
Adam Itzel Jr. and John Itzel orchestral arrangements
Collection
Identifier: PIMS-0062
Overview
Cousins Adam Itzel Jr. and John Itzel were conductors, arrangers, composers, and educators who studied and taught at the Peabody Conservatory in the late 19th century. The collection includes manuscript scores of light orchestral or operatic music arranged primarily by Adam Itzel Jr., as well as manuscript scores of some of his original compositions.
Found in:
Peabody Archives
Adele Meade papers
Collection
Identifier: PIMS-0037
Overview
Adele Meade was a teacher and violinist in the Baltimore area. Her papers include photographs, a scrapbook, and personal papers primarily relating to her teaching career.
Found in:
Peabody Archives
Aleine Austin papers
Collection
Identifier: MS-0397
Overview
Aleine Austin was historian and author born in New York City, July 19, 1922. The papers, dating from 1940 to 1991, consist of student notes, lecture notes, published articles, manuscript notes, recordings, photographs, correspondence, and a selection of papers that document Aleine Austin's interest and work in the American labor movement.
Found in:
Special Collections
Alinda B. Couper papers
Collection
Identifier: PIMS-0011
Overview
Alinda Burnham Couper studied harmonic analysis with Nadia Boulanger and taught and composed music, becoming one of the pioneer composers of handbell music and developing a new technique called "four-in-hand." Couper remained friends with Boulanger and exchanged letters for years after studying with her. The Alinda B. Couper papers contain manuscripts and published scores composed by Couper, as well as her notes, composition journals, papers, and photos.
Found in:
Peabody Archives
Alliker Sheet Music Collection
Collection — Box: 1 [31151030050490]
Identifier: MS-MUS-002
Scope and Contents
Sampling of various kinds of popular songs arranged for voice and piano, many with guitar, ukulele, and/or banjo chords. Among them: "Till the end of Time" based on Chopin; "Tom Dooley" arranged by Alan Lomax; and "The Waltz You Saved For Me". Many in this collection have markings as if they were used in performance.
Found in:
Special Collections
Aloysius Reidinger collection of Baltimore concert programs
Collection
Identifier: PIMS-0086
Overview
Collection of programs and clippings related to the Baltimore Symphony Orchestra, Feier des Deutschen Tages, the Oratorio Society of Baltimore from 1890-1965, and other recitals in Baltimore.
Found in:
Peabody Archives
Arthur Friedheim papers
Collection
Identifier: PIMS-0041
Overview
Musical compositions, correspondence, photographs, writings, clippings, and ephemera of pianist Arthur Friedheim and members of the Friedheim family.
Found in:
Peabody Archives
Asger Hamerik scores
Collection
Identifier: PIMS-0047
Overview
Asger Hamerik was a Danish-born composer and conductor who was the director of Peabody Institute from 1871 to 1898. The collection includes manuscript and printed scores of Hamerik's compositions.
Found in:
Peabody Archives
Austin Conradi papers
Collection
Identifier: PIMS-0016
Overview
The Austin Conradi papers contain concert programs, school essays, newspaper clippings, correspondence, scores, and a photograph relating to the life and career of pianist Austin Conradi.
Found in:
Peabody Archives
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- Chamber Music Society of Baltimore 1
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