Showing Collections: 71 - 80 of 141
Margaret Page Ingle was an organist, composer, and music teacher who studied at the Peabody Conservatory and spent much of her teaching career in Baltimore. The collection contains manuscript and printed scores of Ingle's compositions and arrangements, notes, and a draft of a play.
The Marion Rosette papers contain scores, working documents, personal papers, and recordings from Rosette’s career as a composer and arranger of children's music.
This collection contains Mary C. Walker’s papers acquired throughout her time working at Peabody and years thereafter. The collection consists of personal correspondence, working documents, programs, newspaper clippings of music events, photographs, and personal items.
The Mary Sue Sklarevski papers consists of material relating to Sklarevski's career as a musician, composer, and poet. The majority of the collection consists of manuscript and published scores. Various personal papers, photographs, and published poetry are also included.
May Garrettson Evans was a writer for The Baltimore Sun who founded the Peabody Preparatory Department in 1898 and served as its superintendent until 1930. Her collection includes personal scrapbooks and photographs of Evans and her family, including items from her time at the Peabody Preparatory Department.
Mihály Virizlay (1931-2008) was a Hungarian-born cellist who had a successful international career as a concerto and recital soloist, was principal cello of the Baltimore Symphony Orchestra for 40 years, and taught at the Peabody Institute. The Mihály Virizlay papers contain published and manuscript musical scores, chiefly for cello, including Virizlay’s own compositions and arrangements. The collection also includes recordings, concert programs, newspaper clippings, and correspondence.
Morris Moshe Cotel (1943-2008) was a composer and pianist who was a member of the Peabody Conservatory faculty from 1972 to 2000. The Morris Moshe Cotel papers consist of letters from Cotel to his first wife, Karen Schwartzman, while Cotel was living in Rome and Israel in 1967 and 1968, as well as manuscript facsimile scores of two of his early compositions.