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Showing Resources: 1 - 10 of 11

Community Concerts at Second records

 Collection
Identifier: PIMS-0040
Overview Community Concerts at Second, formerly known as the Second Presbyterian Concert Series, is a nonprofit organization established in 1987 in Baltimore that invites classical musicians to perform free concerts. The collection contains administrative records, concert programs, photographs, clippings, and recordings related to the organization and its concerts.
Found in: Peabody Archives

Dawn Culbertson papers

 Collection
Identifier: PIMS-0039
Overview Dawn Culbertson was an eclectic musician and composer based in Baltimore who experimented with the lute and recorder. Her papers contain original manuscript compositions, personal papers primarily from her student years, and recordings of her radio show, Exploring Early Music.
Found in: Peabody Archives

Dina Koston papers

 Collection
Identifier: PIMS-0042
Overview Dina Koston (1929-2009) was a pianist and composer who co-founded the Theater Chamber Players in Washington, D.C. The Dina Koston papers include manuscript scores of her compositions, documents related to her performances, and audio recordings.
Found in: Peabody Archives

Frank D. Willis papers

 Collection
Identifier: PIMS-0064
Overview Frank Willis was a classical pianist and composer who attended Peabody Conservatory and was a composer and conductor for the West Virginia Symphony Orchestra. His papers include manuscript and published scores and some contextual material.
Found in: Peabody Archives

Jean Eichelberger Ivey papers

 Collection
Identifier: PIMS-0078
Overview Jean Eichelberger Ivey (1923-2010) was a composer, pianist, electronic musician, professor, and the founder of the Peabody Conservatory Electronic Music Studio, which she directed from 1969 until her retirement from Peabody in 1997. The Jean Eichelberger Ivey papers contain scores and recordings of Ivey's musical works, writings and notes by Ivey, personal and professional correspondence, programs and clippings, photographs, and other personal and professional papers.
Found in: Peabody Archives

Nicholas Maw papers

 Collection
Identifier: PIMS-0118
Overview Nicholas Maw (1935-2009) was a British composer who taught at the Peabody Institute from 1998 to 2008. The Nicholas Maw papers (approximately 1956-2009) contain manuscripts, scores, and recordings of musical compositions by Maw, including the opera Sophie's Choice. The collection also contains correspondence, programs, reviews, lecture notes, and other personal papers.
Found in: Peabody Archives

Randolph S. Rothschild papers, including the Chamber Music Society of Baltimore records

 Collection
Identifier: PIMS-0098
Overview This collection contains the personal papers of Randolph S. Rothschild from 1930 to 2005 and the administrative records of the Chamber Music Society (CMS) of Baltimore from its founding in 1949 to its dissolution in 1997, for which Rothschild served as an executive for most of its existence. The CMS records include administrative documents, concert programs, publicity materials, and clippings related to its programming, which regularly featured commissions and other new music. Rothschild's...
Found in: Peabody Archives

Records of the Cross Country folk trio

 Collection
Identifier: PIMS-0030
Overview The Baltimore-area musical group Cross Country performed folk music in the 1980s and early 1990s. The collection contains the trio's administrative documents, photographs, and recordings.
Found in: Peabody Archives

Richard Benda papers

 Collection
Identifier: PIMS-0034
Overview Richard Benda was a pianist and teacher renowned for his strategy in teaching the Joseph Schillinger system of musical composition. The Richard Benda papers contain manuscript notebooks and transcriptions of his teaching material concerned with the Schillinger system. Also included are pedagogical materials in the form of notes, recordings, and an unpublished supplement to the Schillinger system.
Found in: Peabody Archives

Sounds and Stories collection

 Collection
Identifier: PIMS-0091
Overview Sounds and Stories began in 2002 as an oral-history project. A Peabody Conservatory musicology seminar of 18 students interviewed dozens of participants in the music of Baltimore's black community to record their memories and to document their world and their legacy. The collection was assembled primarily from 1998 to 2004 and contains oral histories, photographs, and supporting research about African-American musical culture, especially in Baltimore from approximately 1930 to 1960.
Found in: Peabody Archives

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clippings (information artifacts) 7
scores (documents for music) 7
photographs 6
concert programs 5
open reel audiotapes 4