Showing Collections: 11 - 20 of 34
A Baltimore native and Johns Hopkins University graduate, Edwin Litchfield Turnbull composed, arranged, and conducted music for the Johns Hopkins Musical Association and other local ensembles. The Turnbull scores contain manuscript and published scores composed or arranged by Turnbull.
Frank Willis was a classical pianist and composer who attended Peabody Conservatory and was a composer and conductor for the West Virginia Symphony Orchestra. His papers include manuscript and published scores and some contextual material.
Franz Carl Bornschein (1879-1948) was a composer of more than 200 works, primarily vocal music, and a professor of violin and composition at the Peabody Conservatory. His papers include scrapbooks, clippings, correspondence, photographs, personal papers, manuscript and printed scores, and the personal papers of his wife, Hazel Knox Bornschein.
Gardner Jencks was a pianist and composer who grew up in Baltimore and earned an artist diploma from the Peabody Conservatory. His papers contain manuscript and printed facsimile scores of his unpublished compositions, papers related to his study of music, and various items of ephemera.
Howard Thatcher was a pianist, organist, composer, and teacher in the Baltimore area. He was an alumnus of Peabody who taught harmony, counterpoint, orchestration, and composition for the Peabody Conservatory. The Howard R. Thatcher papers contain his manuscript and published scores as well as personal papers.
Jean Eichelberger Ivey (1923-2010) was a composer, pianist, electronic musician, professor, and the founder of the Peabody Conservatory Electronic Music Studio, which she directed from 1969 until her retirement from Peabody in 1997. The Jean Eichelberger Ivey papers contain scores and recordings of Ivey's musical works, writings and notes by Ivey, personal and professional correspondence, programs and clippings, photographs, and other personal and professional papers.
Joseph Schillinger was a theorist and composer famous for developing the Schillinger System, a method of deconstructing music using geometric phase relationships. The collection contains correspondence, recordings, scrapbooks, photographs, artwork, manuscript scores, and other documents related to his professional and personal life.