Showing Collections: 1 - 10 of 48
This collection constists of records created by Adoremus, a Christian student a cappella group at Johns Hopkins University.
Aleine Austin was historian and author born in New York City, July 19, 1922. The papers, dating from 1940 to 1991, consist of student notes, lecture notes, published articles, manuscript notes, recordings, photographs, correspondence, and a selection of papers that document Aleine Austin's interest and work in the American labor movement.
Sampling of various kinds of popular songs arranged for voice and piano, many with guitar, ukulele, and/or banjo chords. Among them: "Till the end of Time" based on Chopin; "Tom Dooley" arranged by Alan Lomax; and "The Waltz You Saved For Me". Many in this collection have markings as if they were used in performance.
This collection constists of records created by the AllNighters, a student a cappella group at Johns Hopkins University.
Video-recorded oral history interviews (and accompanying transcripts) with Bob and Frank Cicero, who ran Globe Poster Printing Corporation from the 1970s until its closure in the late 2000s. The interviews were recorded by Emily Hikes, Globe Archivist, in Summer 2016.
The collection contains approximately three dozen popular and classical songs from the 19th and 20th centuries. The songs were collected by several generations of women in the Chevallie, Pirke, and Pierce families.
This artificial collection contains several bound volumes of sheet music and fragments of binding materials.
The collection consists of correspondence, two scrapbooks and other ephemeral material related to Gebelein's association with the Johns Hopkins University.
This collection contains sheet music for "You Oughta See My Baby" and "Why Did I Kiss That Girl," both editions featuring Ella Shields on the cover, as well as a playbill for a 1949 showing of the nostalgia music hall show "Thanks for the Memory," and five photographs of Ella Shields from various points in her career.